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管理人より こちらに掲載している原語リブレットはどうやらホーフマンスタールの生台本だったようで、シュトラウスが音楽を付けてない部分や追加した詩句があるようです。生台本は話のつながりがスムーズな点もあるということで、wagnerianchanさまはそのまま訳出してくれました。管理人がシュトラウスがカットした原語部分をグレーにする処理を行っています。通常のリブレット日本語対訳はこちらをご覧ください。 → メモ@広報室 （アデライーデはマンドリカのエスコートを受けながら、後ろの階段を登っていく。舞台右手から出てきたテーブルの上には豪華な冷菜が置かれ、次から次へと置かれていく。 アラベラはドミニクにエスコートされながら、後方の舞踏会の広間から登場する。二人は向きを変えて舞台左手へと歩いて行く） ARABELLA さあ、これで、さよならね。ドミニクさん。 DOMINIK さよなら？もう帰宅されるのですか？ ARABELLA （落ち着いて、快活に） これが私たちの最後のダンスだったのです。 いずれまたお会いすることもあるかも知れない。 ですが、ただ若い頃の知り合いとしてですわ。 DOMINIK アラベラ！ （彼女の腕をつかんで） ARABELLA （するっと身をかわして） だめよ。ドミニク！ 子供時代は別として、あなたは、 私を好きと言ってくれた 最初の男の人でしたね。私ほんとうに嬉しかったわ。 でも、私はあなたにふさわしい人ではなく、 残念ながら、あなたも私にふさわしい方ではなかった。 何もおっしゃらないで。ドミニク。エレメルが来ますわ。 さよなら！ （エレメルにうなずきかける。ドミニクはゆっくりと去っていく） ELEMER （舞踏会の広間からやって来て、アラベラに近寄る） 今日ほど美しいあなたを見たことがない！ 何かあったんだね！ ARABELLA そうよ。エレメル。あったわ！ ですから、今、私はあなたに手を差し出し、 さよならを告げるの。ありがとう、エレメル・・・ いくつも素敵な時があったわね・・・ ELEMER ベッラ。あったのだし、これからもあるのだよ！ ARABELLA 手を握ったままにしないで。 すぐに私の指の力を感じて。 もう二度と会わなくとも、 良いお友達のままでいましょうね！ ELEMER （怒って） あなたは、あのよそ者に恋したのですね。 あのヴァラキア人だか何だかに！ ARABELLA 恋・・・それ以上のことですわ・・・ （エレメルはののしり始める） ARABELLA （穏やかに） この最後の時を台無しにしないで！ さあ、ラモラルが来たわ。 私との最後のダンスの時を待っている！ （ラモラルが舞踏会の広間から階段を登って登場する。舞台右手のテーブルクロスは取り払われている） ELEMER （アラベラにぴたっと体を寄せて） ぼくの妻になってください！ いったい誰がぼくの邪魔をできるでしょう！ ARABELLA 残念ですが私には別の幸せが定められているの。 （エレメルをその場に残し、ラモラルの方へと向かう。エレメルは左手から退場） LAMORAL ああ、アラベラ！舞踏会に、あなたほど美しい方はいません！ ARABELLA （半ば自分に言い聞かせるように） そうよ。恋とは甘いもの。このくっついたり離れたりはね。 でも、それよりも千倍美しいものがあるわ！ いつかあなたもきっとわかるわ。ひょっとしたらね・・・ LAMORAL 私に縁の遠い話などしないでください・・・ ARABELLA （真剣に） あなたにはまだ縁がない話ね。その通りね。 LAMORAL 不安になります。様子が違いますね、アラベラ！ ぼくからあなたを奪ったのは誰なのです！ ARABELLA 奪った？行ってちょうだい、おばかさんね！ でも、最初で最後のキスを あなたにしてあげるわ。 （ラモラルに身をかがめ、素早く、額に軽くキスする。二人は舞台左手にいて、ややカーテンの陰に隠れている） LAMORAL （顔を輝かせて） この素晴らしいキスは、どなたから？ ARABELLA （すぐラモラルから身を離して、舞台中央に進んで行く） 今日幸せを得た女の子からよ。 この子は、幸せすぎて一人でいなきゃならない。 自分の部屋で一人っきりになり、 幸せのあまり、長い時間、眠れもせず横になっているの！ （口調を変えて） でも、もう一度だけワルツを踊りましょう。そしたら、おいとまするわ・・・もう二度と会うこともないでしょう！ （ラモラルと舞踏会の広間に降りて行く。マッテオが舞台右手から出て来て、テーブルクロスの脇を通り過ぎる。ズデンカは左手から登場し、不安そうな様子で、人目につかない所からマッテオの様子を眺めている） MATTEO （独り言で） もう終わろう！終わりにし、けりをつけよう！ さもなくば、ぼくは臆病者だ！ ZDENKA ああ！なんて顔だ！恐ろしいほどの覚悟！ （ズデンカの手招きに応じて、マッテオがやって来る。マンドリカはギャラリーから階段を下り、舞台を横切って、テーブルクロスのかかったテーブルへと進み、ヴェルコから報告を受けている） ZDENKA （とても不安そうに） またこんなになってしまって・・・？またこんな？ MATTEO 胸の嵐に押しつぶされそうだ！ ZDENKA お姉さんの想いは君にある！他の誰でもない！ （マッテオは苦笑いする） ZDENKA うそだと思う？ ぼくにこの手紙をくれたんだよ！ これさ！ （背広の胸ポケットに手を突っ込む） MATTEO （後じさりして舞台中央に出る） 受け取れない！ それは、ぼくを終わらせてしまう！ そう感じるんだ！ （ズデンカは手紙を手にしたまま、逃げるマッテオを追う。マンドリカはそれに気付く。ヤンケルは、花束の山を運ぶ人々と一緒に、舞台右手から入ってくる。ズデンカはマッテオを舞台中央まで追いかけて行く） MATTEO 持ち去ってくれ！きっと、ぼくは終わってしまう！ ZDENKA 受け取らねば！世界が変わるはずさ！ それをこそ感じるんだ！ MATTEO （手紙をつかむ） 鍵じゃないか？ ZDENKA 受け取って！受け取ってよ！ MATTEO （手紙の封を引きちぎって） 手紙はない！鍵だけ？ 何かの冗談かい？ズデンコ、どうなんだ！ ZDENKA （顔を真っ青にして、気を失いそうになりながら） お姉さんの鍵さ！ MATTEO ああ、あの人の鍵だって？ ZDENKA （ほとんど抑揚をつけずに） 部屋のさ。気をつけて。しまうんだ。 MATTEO 鍵だって・・・？気が狂いそうだ！ ここは舞踏会かい？君はズデンコか？ 下で踊っているのは、君の姉さんかい？ 鍵とは・・・？ ZDENKA お姉さんの部屋のさ。 MATTEO アラベラの部屋への鍵！ （鍵を目の前にかかげる） MANDRYKA （体をびくっと震わせ） 俺の聴き違いか！？ （ヤンケルが近づいてくるが、マンドリカは去るように合図し、２人の方へと近づいて行く） ZDENKA （赤くなったり青くなったりし、恥ずかしさを乗り越えようとしながら） 君は家に帰るんだ・・・お姉さんは１５分もすればやって来るよ。 その鍵はお姉さんの部屋の隣室を開けるんだ。音も立てずに、お姉さんは君のもとにやって来る。マッテオ。君が今晩幸せになるためなら、お姉さんは何でもしてあげるつもりなんだよ！ MATTEO 誓ってくれ、本当だね！ アラベラの部屋の鍵なんだね！ ZDENKA 君の手にあるじゃないか！まさに、その鍵を、 お姉さんは君に渡し、君の幸せのためなら、 何でもしてあげるつもりなんだ！ もう行かなきゃ！人に見られちゃまずい！ （舞台左手へと走って退場） MATTEO （独り言で） 乙女心の神秘･･･何ともきわめがたい！ （急ぎ左手へと退場） MANDRYKA （一種固まった状態から突然目覚めたように） 待て！そこのお前、だれなんだ！ ヴェルコ！走れ！あの男を取り押さえろ！ 俺の前に引きずり出せ！あの鍵と一緒にな！ （ドミニクとアデライーデは舞台左手から前のほうにやって来る） WELKO （自分の主人が誰をつかまえろと言っているのか分からず） 誰をですか？大侯さま？どの男です？ こやつですか？ （ドミニクを指差す） （ドミニクとアデライーデは舞台左手のソファーに腰を下ろしている） MANDRYKA （独り言で） もしや、ここには大勢アラベラという名の女がいるのか・・・ 俺の呪わしい猟師の耳が、 馬鹿で頑固な脳みそを欺いたのか・・・ だが、見知らぬ奴の笑い物になってるんじゃあるまいな？ 部屋の鍵を贈るだと？ 自分自身は、この舞踏会の広間で 踊っているというのに？ （時計を見る） 時間はまだ残っているというのか・・・ 俺が、あの人に許した時間は・・・。 だが、それこそ間抜けな阿呆じゃないか？ （ヴェルコに） もうよそう！食事の用意を続けるんだ！ （せわしなく行ったり来たりする） 音楽は美しい・・・鍵のことじゃない。 ヴァイオリンが聴こえる・・・呪わしい鍵じゃない。 きっともうすぐ、あの人がここに来る。 私の目の前に。そうしたら、花を撒き散らして、 私の代わりに、花にあの人の足にキスさせるのだ。 ああ！今この瞬間も、あの人は踊り、 少女時代に別れを告げているんだ！ DOMINIK ああ、なんと魅力的な女性でしょう！ 昔は娘さんより美しかったでしょうに！ ぼくのメランコリックな気持ちを癒す術もご存知のはずですよ。 ADELAIDE ドミニク！だめよ！ あとで、二人っきりになったらね。 あの子がいなくなってからよ。 MANDRYKA （怒りに燃えて眺めながら） なぜ大勢こっちに来るのに、あの人はいないんだ？ なぜ、いまいましい鍵の音ばかりガチャガチャ聞こえるんだ？ DIE FIAKER-MILLI （エレメルの腕にもたれて、マンドリカに近づく。それ以外のカップル達も立っている） あなた様、改めて、お願い申し上げますわ。 舞踏会の女王をお返しくださいませ！ MANDRYKA （激怒して、独り言で） この女、何を言うんだ？俺に、あの人を返せだと？ 俺が閉じ込めたわけじゃない。 俺は鍵を持っていない。鍵は封筒の中さ。 （肘掛椅子を引っつかむと、背もたれがパキンと折れる。ヴェルコがシャンパンを差し出す） MANDRYKA （気持ちを抑えながら） お許しいただきたく存じます・・・ どなたさまもご同様に。お知り合いも見知らぬ方も！ ELEMER だが、この素敵な時間を、アラベラ伯爵令嬢なしで 過ごしたくないものだな！ MILLI どこに行けば会えるか、ご存知のくせに。 MANDRYKA （自分の首をつかんで、ネクタイをゆるめる） ご存知のくせにだと？鍵だ！ヴェルコ！探せ！ 広間にお嬢様がいないか探すんだ！ この広いウィーンで見つけたんだ。 こんなダンス小屋で見つけるのは、雑作もなかろう！ （ヴェルコは走り去る） MANDRYKA （後ろから、太い声で呼びかける） ここに来てもらうよう頼むのだ！そのお気持がおありになるのなら！（続いて、エレメルの腕から離れていたミッリに） こんなに甘ったるい口には、さぞ甘い飲み物が必要でしょう！ （ミッリにシャンパンのグラスを差し出す。ミッリはヨーデルで答える） JANKEL （小さな手紙をトレイにのせて持ってくる） 閣下へのお言伝ての手紙でございます。 MANDRYKA 鍵が中に入っていそうか？ JANKEL はっ？鍵ですと？ MANDRYKA （あわてて手紙をつかむが、なおも開けるのをためらう） おお、神様！なぜ、あの顔は、私の心をこんなにも 激しい力でとらえるようになったのでしょう！ 恐ろしくてならない・・・ （舞台の脇に行って、封を切って中を読む。怒りに燃えながら文面を二度繰り返し読む） 「本日は、お休みを申し上げます。 お家に帰ります。 明日から私はあなたのもの」 小文字のａだけ！サインもない！ 名前がないとは！こんなお人よし、 すぐだまされる男には、そんなものは要らないってのか！ （苦い思いのあまり、わざと陽気に） 少女時代に別れを告げにゃならんのだとよ・・・ それには、あんなに細やかに気を使っていたのに、 サインには、気をつかう時間もないってのか！ （無理して厚かましいぐらい陽気になり、再び人々の所に戻り、手で合図しながら） さあ、花をばらまけ！シャンパンだ！ 左右の方々に注いで回れ。全員テーブルの下にぶっ倒れるまで・・・伯爵だろうが、御者だろうが、御者夫人だろうが、おかまいなしだ！今日は一切合財全部、 この俺の勘定だ！ （給仕たちは散らばっていき、シャンペンを注いで回る） きれいなミッリよ、俺が何か歌ってやろうか？ （彼女を引き寄せて） 俺も気持ち良くなるってもんだ！ （ミッリは、言葉ではなく、やさしいヨーデルの歌声でそれに答える） MANDRYKA （自嘲と怒りの涙にまみれて） 森を歩いていたが、 どの森かも分からない。 少女と出会ったが、 誰の娘か分かったもんじゃない！ その足をふんずけたが、 誰の足だかわかったもんじゃない。 大きな声で叫び出したが、 なぜなのかも分からんのだ。 恋とはどういうことか気がついた 男の姿を見るがいい！ （ミッリはヨーデルのリフレインを繰り返す。マンドリカは彼女をソファーに座らせる。アデライーデはドミニクから離れて立ちあがる） DIE FIAKER-MILLI 恋とはどういうことか気がついた 男の姿を見るがいい！ MANDRYKA あの男にお似合いなのは・・・ ワインを樽ごと飲むことよ。 ワインをしこたま飲むがいいわ。 でもグラスなど必要ない。 重たい樽から飲めばいいわ！ もっと賢くなるまで、苦しむがいいわ！ （ミッリはリフレインを繰り返す） あの男にお似合いなのは・・・ 女の子をあてがうことよ。 私をあげてよ。 でもベッドなんかあげなくていい。 （怒り狂って） あんな奴は、地べたに寝りゃいいのよ。 もっと賢くなるまで、苦しむがいいわ！ （ミッリを手放すと、やにわに立ちあがる。ミッリはリフレインを繰り返す） DIE FIAKER-MILLI もっと賢くなるまで、苦しむがいいわ！ MANDRYKA （ますます怒って、独り言で） 今日は家に帰ったのだ。鍵の男のところへ・・・ そして明日からは俺のものだと！ ミッリ、花束をくれ！ （彼女にキスをする） このウィーンでは、伯爵令嬢の部屋の 鍵の値段はいくらなんだ？ ADELAIDE （いきなりマンドリカの前に現れて） マンドリカさん！娘はどこなの？ MANDRYKA （ミッリを腕に抱いて立ったままで） 知るものですか！私には教えて下さいませんでしたから。もっとモエ・シャンドンをどうです？ さあ！伯爵令嬢の母上にお注ぎするのだ！ ADELAIDE （興奮して舞台右手に駆けて行く） あの人はどこ？あの人を呼ぶのよ！ （ドミニクはあわてて舞台右手に行き、ヴァルトナーを探しに行く） ADELAIDE （マンドリカの所に戻り） 本当のことを言って！アラベラはどこ？ MANDRYKA （粗野に） こちらがお聞きしたいところですよ、伯爵令嬢のお母上！ （ヴァルトナーがドミニクと一緒に舞台右手に現れる。その後ろには、ギャンブル仲間の３人の男達） ADELAIDE ああ、テオドール！ あなたの妻と娘を守って！ WALDNER 何があったんだ？マンドリカ、何という振舞いだ？ このわしの妻の前で！ MANDRYKA お聴きの通りですよ！ 田舎くさい間抜け男から脱皮して、ウィーンの伯爵然と 振舞うための修行中です！ ここにおかけなさい。女もいますし、シャンパンもある。 さあどうぞ、ご自由に！ WALDNER （前に詰め寄って） わしの娘はどこだ？ MANDRYKA 残念ですが何も言うべきことはありません！ 伯爵令嬢は、いつも楽しい時に、 どこかに隠れてしまうくせがあるようですな。 WALDNER （怒り狂ってアデライーデに） あの子はどこだ？どこにいるか教えろ！ ADELAIDE 家ですわ。 WALDNER 知ってたのか？どういうことだ？ ADELAIDE 思いつきよ！急にブルーな気持ちになったのよ！ ただの気まぐれ！知ってるでしょ、あの子の性格。 WALDNER 本当に家にいるんだな？ ADELAIDE テオドール！ あなたの大切な妻と娘のことよ！ WALDNER ならいい。わしらも家に行こう。すぐにだ。 お前は部屋をノックして、あの子の具合を教えてくれればいいんだ。そうすれば、全て丸くおさまる。 （怒りながら） あと２つほど、あなたと話したいことがある・・・ ですから、一緒に来ていただけますな。 MANDRYKA それは私としても望むところです。 （一礼し、アデライーデに腕を差し出す） WALDNER （ギャンブル仲間たちに） このつまらん誤解が解けたら、 すぐホテルで、ひと勝負しよう。 MANDRYKA （出口のドアに立ち止まり、後ろに呼び掛ける） お集まりの紳士淑女よ！今日は、私のご招待とさせていただきます！ FIAKERMILLI やったあ！ご招待ですって！ （客たちはシャンパングラスを高くかかげる。ヴェルコとデューラを先導に、マンドリカとアデライーデは出て行ってしまう。ヴァルトナーとギャンブル仲間たちがその後を追う） （幕が下りる） Sie nimmt seinen Arm und sie gehen rückwärts die Stufen hinauf. Von rechts wird ein Tisch hereingeschoben und für ein kaltes Souper prächtig gedeckt. Rechts wird weiter der Tisch gedeckt. Arabeila, an Dominiks Arm, kommt von rückwärts aus dem Tanzsaal. Sie wenden sich nach links ARABELLA Und jetzt sag ich Adieu, mein lieber Dominik. DOMINIK Adieu? Sie fahren schon nachhaus? ARABELLA ruhig, heiter Das war jetzt unser letzter Tanz für alle Zeit. Kann sein dass wir uns später einmal wiedersehn dann sind wir halt Bekannte aus der Jugendzeit. DOMINIK Arabella! Er fasst sie am Arm ARABELLA macht sich schnell los Nein. Dominik! Sie sind der erste Mann gewesen, Dominik, - von Buben red ich nicht - der mir gesagt hat, dass er mich gern hat, und es hat mich recht gefreut. Aber die Richtige für Sie die war ich nicht, und Sie halt nicht der Richtige für mich. Nicht reden, Dominik. Da kommt auch schon der Elemer. Adieu! Sie nickt Elemer zu. Dominik entfernt sich langsam ELEMER aus dem Tanzsaal kommend, auf Arabella zu So schön wie heut hab ich Sie nie gesehn! Mit Ihnen ist etwas passiert! ARABELLA Ja, Elemer, mit mir ist was passiert! Und darum geb ich Ihnen jetzt die Hand und sag Adieu, ich danke Ihnen, Elemer - es waren viele schöne Augenblicke drunter - ELEMER Es waren, Bella, und es werden sein! ARABELLA Nicht halten meine Hand, grad schnell den Druck von meinen Fingern spüren, und wissen dass wir gute Freunde sind wenn wir uns auch nicht wiedersehn! ELEMER Zornig Sie haben sich verliebt in diesen Fremden, diesen Wallachen oder was er ist! ARABELLA Verliebt - es ist wohl mehr - Elemer spottet ARABELLA sanft Nicht mir verderben diesen letzten Augenblick! Da kommt auch schon der Lamoral und wartet auf seinen letzten Tanz! Lamoral erscheint an der Stiege, aus dem Tanzsaal herauf. Rechts wird mit dem Tischdecken fortgefahren ELEMER dicht bei ihr Werden Sie meine Frau! Wer in der Welt ist, der mich hindern darf! ARABELLA Für mich war halt ein andres Glück bestimmt. Sie lässt ihn stehen und geht auf Lamoral zu. Elemer links ab LAMORAL O Arabella, gibts was Schöneres als Sie auf einem Ball! ARABELLA halb für sich Ja, süss ist die Verliebtheit, süss ist dieses Auf und Ab, aber es gibt was Schöneres tausendmal! und einmal wirst du's auch verstehn, vielleicht - LAMORAL Nicht reden jetzt von Anderm, das weit weg ist - ARABELLA ernst Für dich ists noch weit weg, da hast du recht. LAMORAL Ich ängstig mich. Sie sind so anders, Arabella! Es nimmt Sie mir wer weg! ARABELLA Wegnehmen? geh, du Bub! Aber da hast du deinen ersten und zugleich auch deinen letzten Kuss. Sie beugt sich zu ihm und küsst ihn schnell und leicht auf die Stirn. Sie stehen links, einigermassen gedeckt durch die Draperien LAMORAL strahlend Von wem hab ich den wunderbaren Kuss? ARABELLA sogleich ganz gelöst; sie tritt von ihm weg in die Mitte Von einem Mädel, das heut glücklich ist, so glücklich, dass sie ganz allein sein muss, ganz mit sich selbst allein in ihrem Zimmer, und lang noch liegen ohne Schlaf vor lauter Glück! Mit geändertem Ton Jetzt tanzen wir noch diesen Walzer aus dann fahr ich fort von euch - auf Nimmerwiedersehn! Ab mit ihm in den Tanzsaal. Matteo kommt von rechts, an den Tischdeckenden vorbei. Zdenka, links hervortretend, ängstlich, nicht gesehen zu werden, starrt auf ihn hinüber MATTEO fürr sich Fort mit mir! Fort und ein Ende! Sonst bin ich ein Feigling! ZDENKA O Gott! Seine Miene! wie grässlich entschlossen! Sie winkt ihm, er geht zu ihr hinüber. Mandryka kommt die Stufen von der Estrade herab, geht quer über die Bühne zu dem gedeckten Tisch hinüber, nimmt eine Meldung Welkos entgegen ZDENKA angstvoll Bist du schon wieder so - ? Hats dich schon wieder? MATTEO Rasend verzehrts mich! ZDENKA Sie denkt an dich! nichts andres denkt sie! Matteo lacht bitter ZDENKA man merkt die Lüge Sie hat mir einen Brief für dich gegeben! Hier ist er. Sie greift in die Brusttasche ihres Fracks MATTEO weicht zurück gegen die Mitte Ich nehme ihn nicht! Der bringt das Ende für immer! Ich fühl es! Zdenka folgt dem Zurückweichenden, den Brief in der Hand. Mandryka wird aufmerksam. Jankel mit Leuten, die eine Last von Blumen tragen, von rechts. Zdenka ist Matteo bis in die Mitte der Bühne gefolgt MATTEO Trag ihn zurück! Ich fühl dass es mein Abschied ist! ZDENKA Du musst ihn nehmen, alles wird anders! So fühl ihn doch! MATTEO fasst den Brief Ein Schlüssel? ZDENKA Nimm ihn! nimm ihn nur! MATTEO reisst den Brief auf Kein Brief! nur ein Schlüssel? Was sind das für Spässe? Zdenko, ich frage! ZDENKA blass, einer Ohnmacht nahe Das ist ihr Schlüssel! MATTEO O Ihr Schlüssel? ZDENKA fast tonlos Vom Zimmer. Gib acht. Versteck ihn. MATTEO Das ist der Schlüssel - ? ich bin nicht bei Sinnen! Sind wir auf dem Ball? Bist du der Zdenko? ist sie deine Schwester, die tanzt dort unten? Das ist der Schlüssel - ? ZDENKA Zu ihrem Zimmer. MATTEO Der Schlüssel zu Arabellas Zimmer! Er hält den Schlüssel vor sich MANDRYKA zuckt zusammen Ich hab mich verhört! Jankel will sich ihm nähern. Mandryka winkt ihm ab, tritt den Beiden näher ZDENKA bald rot, bald blass, die Scham überwindend Du sollst nachhaus - sie kommt in einer Viertelstunde. Der Schlüssel sperrt das Zimmer neben ihrem, lautlos kommt sie zu dir - Matteo, denn sie will ja alles tun damit du glücklich wirst noch diese Nacht! MATTEO Schwör mir, dass das wahr ist! Der Schlüssel zu Arabellas Zimmer! ZDENKA Du hast ihn ja! so wahr er sperrt so wahr will die, die ihn dir gibt heut alles tun, damit du glücklich wirst! Ich muss jetzt fort! mich darf man hier nicht sehn! Läuft links weg MATTEO vor sich Geheimnis eines Mädchenherzens, unergründliches! Schnell ab nach links MANDRYKA aus einer Art Starre jäh aufwachend Halt! du irgendeiner oder wer Du bist! Welko! laufen! halten dort den Menschen! Her mit ihm vor mich! den dort mit dem Schlüssel! Dominik mit Adelaide ist von links vorne aufgetreten WELKO unschlüssig, auf wen sein Herr ihn hetzen wollte Welchen, Gospodar? und was für einen? Diesen? Zeigt auf Dominik Dominik und Adelaide nehmen links auf einem Canapé Platz MANDRYKA vor sich Und wenn hier viele Arabella heissen - meine gottverdammten Jägerohren foppen meinen dummen harten Schädel - dass ich als ein Narr dasteh vor einem Fremden? Wird sie denn den Schlüssel schicken von dem Zimmer während selber sie hier tanzt im Ballsaal? Er sieht nach der Uhr Noch ist nicht einmal vorbei die Stunde die ich grad ihr freigegeben habe - also bin ich schon ein Narr und Esel? Zu Welko Alles lassen! Weitermachen dort am Esstisch! Er geht hastig auf und ab Schön ist die Musik, und nichts von Schlüssel, Geigen drin, und nicht verdammte Schlüssel und in paar Minuten wird sie dastehn 'da vor mir, und Blumen werd ich hinstreun dass statt meiner sie den Fuss ihr küssen. Haj! Wie tanzt sie jetzt und nimmt den Abschied in dieser Stunde von der Mädchenzeit! DOMINIK O bezaubernde Frau! Viel schöner als jemals die Tochter! Wie Sie die Melancholie mir zu heilen verstünden – ADELAIDE Dominik! Nicht! Aber später, ich werd’immer allein sein ohne mein Kind MANDRYKA Grimmig hinschauend Warum kommen viele und nicht sie darunter? Warum scheppern gottverdammte Schlüssel da dazwischen! DIE FIAKER-MILLI an Elemers Arm, auf Mandryka zu, andere Paare stellen sich dazu Mein Herr, schon wieder muss ich kommen und bitten geben Sie dem Ball die Königin zurück! MANDRYKA im Zorn, vor sich Was sagt das Frauenzimmer? Ich soll sie zurück ihr geben? Ich hab sie nicht eingesperrt. Ich hab den Schlüssel nicht. Er ist in dem Couvert. Er packt einen Sessel so dass dessen Lehne kracht. Welko bietet Champagner an MANDRYKA nimmt sich zusammen Ich bitte, dass Sie mir die Ehre geben - Sie alle wie Sie sind, bekannt und unbekannt! ELEMER Doch Gräfin Arabella wollen wir nicht in dem schönen Augenblick vermissen! MILLI Sie werden sicher sie zu finden wissen. MANDRYKA greift sich an den Hals, lockert die Cravatte Zu finden wissen? Schlüssel! Welko! Suchen! Die gnädige Fräulein suchen in dem Saal! Hast du gefunden in der grossen Wienerstadt wirst du zu finden wissen in der Tanzhütten dahier! Welko eilt ab MANDRYKA nachrufend, stark - und bitten sie hierher wenn sie die Gnade haben will! Dann zu Milli, die sich von Elemers Arm gelöst hat Ein solcher süsser Schnabel muss auch etwas Süsses trinken! Er serviert ihr ein Glas Champagner. Milli antwortet jodelnd JANKEL bringt ein Briefchen auf einem Tablett Da wäre ein Billet für Euer Gnaden. MANDRYKA Fühl ob ein Schlüssel drin ist? JANKEL Wie? ein Schlüssel? MANDRYKA nimmt hastig das Billet, zögert noch, es zu öffnen Wer, Herr Gott, hat diesem Gesicht so viel Gewalt gegeben über mich! dass ich mich fürchte jetzt - geht bei Seite, reisst das Couvert auf, liest, wiederholt den Inhalt, grimmig Für heute sag ich Ihnen gute Nacht. Ich fahr nachhaus. Von morgen an bin ich die Ihrige. Ein kleines a statt einer Unterschrift! Nicht einmal ihren Namen! Steht auch nicht dafür für einen Gimpel, einen auf den Leim gegangenen! Mit bitterer Lustigkeit Sie muss ja Abschied nehmen von der Mädchenzeit - dafür braucht sie die ganze Zärtlichkeit sie hat jetzt keine Zeit für zärtlichere Unterschrift! Er zwingt sich zu einer frechen Munterkeit, tritt wieder zu den andern zurück, winkt Wegschmeissen jetzt die Blumen! Schampus her! Servieren links und rechts, bis alle liegen unter'm Tisch - die Grafen und Fiaker und Fiakerbräute alle miteinander! Heut geht das Ganze, aber schon das Ganze auf meine Rechnung! Kellner verteilen sich, servieren allen Champagner Soll ich der schönen Milli jetzt vielleicht was singen? Er zieht sie an sich Ich wäre aufgelegt! Fiakermilli antwortet zärtlich, ohne Worte, mit einem Jodler MANDRYKA zwischen Selbstverspottung und zornigen Tränen Gieng durch einen Wald, weiss nicht durch welchen Fand ein Mädchen, weiss nicht, wessen Tochter! Trat ihm auf den Fuss, weiss nicht auf welchen, fieng es an zu schrein, weiss nicht warum doch seht den Wicht, wie der sich denkt die Liebe! Milli wiederholt jodelnd den Refrain, Mandryka zieht sie neben sich auf das Canapee nieder. Adelaide entzieht sich Dominik, steht auf DIE FIAKER-MILLI seht den Wicht, wie der sich denkt die Liebe! MANDRYKA Wohl stünds an, ihm Kanne Wein zu geben, Wein zu geben, Becher nicht zu geben mag der Wicht aus schwerer Kanne trinken! Mag sich plagen bis zu klugern Tagen! Milli jodelt den Refrain Wohl stünds an, mich Mädchen ihm zu geben mich zu geben, doch kein Bett zu geben grimmig mag der Kerl auf blosser Erde schlafen mag sich plagen bis zu klugern Tagen! Er lässt Milli, steht jäh auf. Milli wiederholt den Refrain DIE FIAKER-MILLI mag sich plagen bis zu klugern Tagen! MANDRYKA immer böser, für sich Für heut fahrt sie nachhaus zu ihrem Schlüsselherrn - von morgen an ist sie die meinige! Milli, gib mir ein Bussl! Küsst sie Wie viel kost't der Schlüssel für Comtessenzimmer hier in Wien? ADELAIDE plötzlich vor ihm Herr von Mandryka, wo ist meine Tochter? MANDRYKA stehend, Milli im Arm Weiss nicht! sie hat die Gnade nicht gehabt mir mitzuteilen. Wünschen noch Moët-Chandon? Hier ist! Servieren der Frau Gräfin Mutter! ADELAIDE aufgeregt nach rechts eilend Wo ist mein Mann? man suche meinen Mann! Dominik nach rechts, schnell, Waldner zu suchen ADELAIDE zurück zu Mandryka Lassen Sie sich beschwören! Wo ist Arabella? MANDRYKA frech Das frag ich selber die Frau Gräfin Mutter! Waldner erscheint rechts, mit Dominik, hinter ihm die drei Herren, mit denen er gespielt hat ADELAIDE O Theodor! Beschütze deine Frau und deine Tochter! WALDNER Was geht hier vor? Mandryka, wie benimmst du dich? in Gegenwart von meiner Frau! MANDRYKA Genau wie sichs gehört! Ich streife ab den dummen Kerl aus der Provinz und bin, wie unter wienerischen Grafen sich geziemt! Setz dich zu uns, sind Mädel da, is Schampus da, Teschek! bedien dich! WALDNER dicht vor ihm Wo ist meine Tochter? MANDRYKA Ich kann dir leider keine Auskunft geben! Comtessen scheint es, ziehen manchmal sich zurück in einem animierten Augenblick. WALDNER zu Adelaide, wütend Wo ist das Mädel? wissen will ich wo sie ist! ADELAIDE Zuhaus. WALDNER Du weisst es? was soll das bedeuten? ADELAIDE Ein Einfall! eine plötzliche Melancholie! eine Caprice! Du kennst ihr Naturell. WALDNER Du schwörst, sie ist zuhause? ADELAIDE Theodor! Es handelt sich um dein und meine Tochter! WALDNER Sehr gut. Wir fahren auch nachhause. Augenblicklich. Du klopfst an ihrer Tür und gibst uns Nachricht ob sie ganz wohl ist nur damit wir uns beruhigen. böse Dann spreche ich zwei Worte noch mit dir - darum wirst du die Güte haben, uns begleiten. MANDRYKA Es wird mir eine ganz besondere Ehre sein. Verneigt sich und gibt Adelaide den Arm WALDNER zu seinen Mitspielern Wir spielen augenblicklich weiter im Hotel, sobald das kleine Missverständnis da beseitigt ist. MANDRYKA an der Tür stehen bleibend, zurückrufend Die Herrn und Damen sind einstweilen meine Gäste! FIAKERMILLI Eljen! wir sind Ihre Gäste! Gäste heben die Champagnergläser. Mandryka mit Adelaide ist schon ab, Welko und Djura vor ihnen, Waldner mit den Spielern folgt Vorhang この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@wagnerianchan Strauss,Richard/Arabella/III-1
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Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Undergrounding Electric Lines Pennwell Corp? Anthony J. Pansini? Kenneth D. Smalling? PennwellCorp? AnthonyJ.Pansini? KennethD.Smalling? ジャンル別? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Practical Well Planning and Drilling Manual Pennwell Corp? Steve Devereux? PennwellCorp? SteveDevereux? ジャンル別? Subjects-Engineering-Chemical-Petrochemical? Subjects-Engineering-Civil-Mining? Subjects-Engineering-Civil-Environmental-Mining? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Engineering-Petroleum,Mining&Geological-DrillingProcedures? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Chemical-Petrochemical? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-Civil-Environmental-Mining? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-DrillingProcedures? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Science-EarthSciences-Prospecting&Mining? Subjects-Science-General Subjects-Science-Reference-Engineering? Gas and Power in the Developing World A Systematic Look at Countries and Their Investment Needs Pennwell Corp? Hossein Razavi? Bob Tippee? Bob Smock? PennwellCorp? HosseinRazavi? BobTippee? BobSmock? ジャンル別? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Business&Investing-Investing? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Engineering-General? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-NaturalResources-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Nature&Ecology-NaturalResources-General? Trading Natural Gas Cash Futures Options and Swaps (Pennwell Nontechnical Series) Pennwell Corp? Fletcher J. Sturm? PennwellCorp? FletcherJ.Sturm? ジャンル別? Subjects-Business&Investing-Economics-PublicFinance? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Business&Investing-Investing-Futures? Subjects-Business&Investing-Investing-General? Subjects-Business&Investing-Investing-Options? Subjects-Engineering-General? Subjects-Engineering-Energy-NaturalGas? Subjects-Nonfiction-Economics-PublicFinance? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Energy-NaturalGas? Subjects-Professional&Technical-Accounting&Finance-Economics-PublicFinance? Large Power Steam Turbines Design and Operation Pennwell Corp? Aleksandr Shaulovich Leizerovich? PennwellCorp? AleksandrShaulovichLeizerovich? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Energy-Combustion&Steam? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-PowerSystems? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Energy-Combustion&Steam? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-PowerSystems? Subjects-Science-General Subjects-Science-Physics-Applied? Electric Power Distribution Systems A Nontechnical Guide (Pennwell Nontechnical Series) Pennwell Corp? H. Wayne Beaty? Wayne Beaty? PennwellCorp? H.WayneBeaty? WayneBeaty? ジャンル別? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Energy-Electric-PowerDistribution? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Energy-Electric-PowerDistribution? Subjects-Science-General Subjects-Science-Physics-Applied? Basics Of Electric Power Transmission Pennwell Corp? Anthony J. Pansini? Kenneth D. Smalling? PennwellCorp? AnthonyJ.Pansini? KennethD.Smalling? ジャンル別? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Energy-Electric-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Energy-Electric-General? Subjects-Science-General Subjects-Science-Physics-Applied? Natural Gas in Nontechnical Language (PennWell Nontechnical Series) Pennwell Corp? Institute of Gas Technology? Rebecca L. Busby? PennwellCorp? InstituteofGasTechnology? RebeccaL.Busby? ジャンル別? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-Petrochemical? Subjects-Engineering-Civil-Mining? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Engineering-Energy-NaturalGas? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-Petrochemical? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Energy-NaturalGas? Subjects-Reference? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Soil Remediation for the Petroleum Extraction Industry Pennwell Corp? Lloyd E., Jr. Deuel? George H. Holliday? PennwellCorp? LloydE.,Jr.Deuel? GeorgeH.Holliday? ジャンル別? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Engineering-Chemical-Petrochemical? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Pollution-General? Subjects-Engineering-General? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Engineering-Petroleum,Mining&Geological-PetroleumGeology? Subjects-Professional&Technical-Engineering-Chemical-Petrochemical? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-General? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-PetroleumGeology? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Applied Reliability Centered Maintenance Pennwell Corp? Jim August? PennwellCorp? JimAugust? ジャンル別? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Energy-Electric-Power? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Energy-Electric-Power? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Science-General Power Play Who's in Control of the Energy Revolution? Pennwell Corp? James C. Whorton? Paulette Whitcomb? PennwellCorp? JamesC.Whorton? PauletteWhitcomb? ジャンル別? Subjects-Business&Investing-Biographies&Primers-CompanyHistories? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Professional&Technical-ProfessionalScience-Physics-Energy? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Physics-Energy? Electric Power Generation A Nontechnical Guide (Pennwell Nontechnical Series) Pennwell Corp? Dave Barnett? Kirk Bjornsgaard? PennwellCorp? DaveBarnett? KirkBjornsgaard? ジャンル別? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Energy-Electric-Power? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Energy-Electric-Power? Subjects-Science-General International Petroleum Encyclopedia (International Petroleum Encyclopedia) Pennwell Corp? Pennwell Publishing? PennwellCorp? PennwellPublishing? ジャンル別? Subjects-Engineering-Chemical-Petrochemical? Subjects-Engineering-General? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Nonfiction-Education-Reference-Encyclopedias-General? Subjects-Professional&Technical-Engineering-Chemical-Petrochemical? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Encyclopedias-General? Subjects-Reference-General? Power Primer A Nontechnical Guide from Generation to End Use Pennwell Corp? Ann Chambers? PennwellCorp? AnnChambers? ジャンル別? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Energy-Electric-Power? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Energy-Electric-Power? Subjects-Science-General International Electric Power Encyclopedia 1999 Pennwell Corp? Pennwell? PennwellCorp? Pennwell? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-PowerSystems? Subjects-Engineering-Energy-Electric-Power? Subjects-Nonfiction-Education-Reference-Encyclopedias-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-PowerSystems? Subjects-Professional&Technical-Engineering-Energy-Electric-Power? Subjects-Reference-Encyclopedias-General? Subjects-Reference-General? Subjects-Science-Reference-Engineering? Natural Gas Electric Power in Nontechnical Language (Pennwell Nontechnical Series) Pennwell Corp? Ann Chambers? PennwellCorp? AnnChambers? ジャンル別? Subjects-Engineering-Chemical-Petrochemical? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Engineering-Energy-Electric-Power? Subjects-Engineering-Energy-NaturalGas? Subjects-Professional&Technical-Engineering-Chemical-Petrochemical? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Energy-Electric-Power? Subjects-Professional&Technical-Engineering-Energy-NaturalGas? Subjects-Science-General Drilling Technology in Nontechnical Language Pennwell Corp? Steve Devereux? PennwellCorp? SteveDevereux? ジャンル別? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Engineering-Chemical-Petrochemical? Subjects-Engineering-Civil-Mining? Subjects-Engineering-Civil-Environmental-Mining? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Engineering-Petroleum,Mining&Geological-DrillingProcedures? Subjects-Engineering-Petroleum,Mining&Geological-PetroleumGeology? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Chemical-Petrochemical? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-Civil-Environmental-Mining? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-DrillingProcedures? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-PetroleumGeology? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Prospecting&Mining? Subjects-Science-General Subjects-Science-Reference-Engineering? The Petroleum Industry A Nontechnical Guide (Pennwell Nontechnical Series) Pennwell Corp? Charles F. Conaway? PennwellCorp? CharlesF.Conaway? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Engineering-Chemical-Petrochemical? Subjects-Engineering-General? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-Chemical-Petrochemical? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-General A Practical Guide to Gas Contracting Pennwell Corp? Ann O Hara? PennwellCorp? AnnO Hara? ジャンル別? Subjects-Business&Investing-Biographies&Primers-Negotiating? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-Accounting-Taxes-TaxLaw? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Engineering-General? Subjects-Law-Business-Contracts? Subjects-Law-Business-Taxation? Subjects-Law-EnglishLaw-General? Subjects-Nonfiction-Law-Business-Contracts? Subjects-Nonfiction-Law-Business-Taxation? Subjects-Nonfiction-Law-EnglishLaw-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Law-Business-Taxation? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-Accounting-Taxes-TaxLaw? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Negotiating? Merchant Power A Basic Guide Pennwell Corp? Ann Chambers? PennwellCorp? AnnChambers? ジャンル別? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Business&Investing-Marketing&Sales-Marketing-General? Subjects-Engineering-General? Subjects-Engineering-Energy-Electric-PowerDistribution? Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Energy-Electric-PowerDistribution? Subjects-Professional&Technical-ProfessionalScience-Physics-Energy? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-Marketing-General? Subjects-Religion&Spirituality-Christianity? Subjects-Science-General Subjects-Science-Physics-Energy? Worldwide Petroleum Industry Outlook (Worldwide Petroleum Industry Outlook) Pennwell Corp? Robert J. Beck? PennwellCorp? RobertJ.Beck? ジャンル別? Substores-UnknownASINs-63? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Computer-Assisted Reservoir Management Pennwell Corp? Abdus Satter? PennwellCorp? AbdusSatter? ジャンル別? Subjects-Business&Investing-General? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-Petrochemical? Subjects-Engineering-Civil-Mining? Subjects-Engineering-Civil-Environmental-Mining? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Automation? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-Petrochemical? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-Civil-Environmental-Mining? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Mechanical-Automation? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-General Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-EarthSciences-Prospecting&Mining? Production Enhancement With Acid Stimulation Pennwell Corp? Leonard Kalfayan? PennwellCorp? LeonardKalfayan? ジャンル別? Subjects-Engineering-Civil-Mining? Subjects-Engineering-Civil-Environmental-Mining? Subjects-Engineering-General? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-Civil-Environmental-Mining? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-General Subjects-Science-EarthSciences-Prospecting&Mining? Subjects-Science-General Petroleum Refinery Process Economics Pennwell Corp? Robert E. Maples? PennwellCorp? RobertE.Maples? ジャンル別? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-Petrochemical? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-Petrochemical? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-General Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Subjects-Professional&Technical-Engineering-General 洋書
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European Cohesion Contradictions in Eu Integration Palgrave Macmillan? Chris Rumford? PalgraveMacmillan? ChrisRumford? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Europe-General? Subjects-Law-InternationalLaw-General? Subjects-Nonfiction-Law-InternationalLaw-General? Subjects-Professional&Technical-Law-InternationalLaw? Continuities in Poland's Permanent Transition Palgrave Macmillan? Harald Wydra? PalgraveMacmillan? HaraldWydra? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-PoliticalScience-SystemsOfGovernment? Kidnapped (Stories to Remember) Macmillan Education Ltd? Robert Louis Stevenson? MacmillanEducationLtd? RobertLouisStevenson? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Literature-ClassicsbyAge-General? Foreign Direct Investment in Russia Palgrave Macmillan? Fischer Paul? PalgraveMacmillan? FischerPaul? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics-International? 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Cat Names The Best Book Ever Ultramarine Pub Co? Eleanora Walker? UltramarinePubCo? EleanoraWalker? ジャンル別? Substores-UnknownASINs-8 Subjects-Outdoors&Nature? Distribution Law Antitrust Principles and Practice/Supplement Little Brown & Co Law & Business? Theodore L. Banks? LittleBrown&CoLaw&Business? TheodoreL.Banks? ジャンル別? Substores-UnknownASINs-8 Subjects-Reference-General? Annual Guide to Public Policy Experts, 1987 Heritage Foundation? Robert Huberty? Catherine Ludwig? HeritageFoundation? RobertHuberty? CatherineLudwig? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-PoliticalScience-PublicPolicy? Brass Ensemble Instrumentalist Co? Paul Anderson? InstrumentalistCo? PaulAnderson? ジャンル別? Substores-UnknownASINs-8 Subjects-Entertainment-Music? West's Legal Forms Alternative Dispute Resolution (Wests Legal Forms, Vol 26) West Pub Co? Jay E. Grenig? WestPubCo? JayE.Grenig? ジャンル別? Substores-UnknownASINs-8 Subjects-Reference-General? 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Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Solid-StatePhysics-CondensedMatter? Athena Unbound The Advancement of Women in Science and Technology Cambridge Univ Pr (Txp)? Henry Etzkowitz? Carol Kemelgor? Brian Uzzi? CambridgeUnivPr(Txp)? HenryEtzkowitz? CarolKemelgor? BrianUzzi? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-GenderStudies-Women? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Spacecraft Dynamics and Control A Practical Engineering Approach (Cambridge Aerospace Series, 7) Cambridge University Press? Marcel J. Sidi? CambridgeUniversityPress? MarcelJ.Sidi? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Astronomy-Aeronautics&Astronautics? Skeletal Function and Form Mechanobiology of Skeletal Development, Aging, and Regeneration Cambridge University Press? Dennis R. Carter? Gary S. Beaupre? CambridgeUniversityPress? DennisR.Carter? GaryS.Beaupre? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Medicine-BasicScience-Anatomy? Subjects-Medicine-BasicScience-Physiology? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Medical-BasicSciences-Physiology? Subjects-Professional&Technical-Medical-Medicine-Surgery-Orthopedics? Subjects-Science-General Subjects-Science-BiologicalSciences-Anatomy? Subjects-Science-Medicine-BasicScience-Anatomy? Subjects-Science-Medicine-BasicScience-Physiology? Crystals, Defects and Microstructures Modeling Across Scales Cambridge Univ Pr (Sd)? Rob Phillips? CambridgeUnivPr(Sd)? RobPhillips? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Chemistry-Crystallography? Subjects-Science-EarthSciences-Crystallography? Subjects-Science-General Subjects-Science-Mathematics-General? Shape and Structure, from Engineering to Nature Cambridge Univ Pr (Sd)? Adrian Bejan? CambridgeUnivPr(Sd)? AdrianBejan? ジャンル別? Subjects-Engineering-Design? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Design? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-BiologicalSciences-Zoology-General? Engineering and Product Development Management The Holistic Approach Cambridge Univ Pr (Sd)? Stephen C. Armstrong? CambridgeUnivPr(Sd)? StephenC.Armstrong? ジャンル別? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-OperationsResearch? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-OperationsResearch? Subjects-Science-General Formal Engineering Design Synthesis Cambridge Univ Pr (Sd)? Erik K. Antonsson? Jonathan Cagan? CambridgeUnivPr(Sd)? ErikK.Antonsson? JonathanCagan? ジャンル別? Subjects-Engineering-Design? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Design? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Crustal Heat Flow A Guide to Measurement and Modelling Cambridge Univ Pr (Sd)? G. R. Beardsmore? J. P. Cull? CambridgeUnivPr(Sd)? G.R.Beardsmore? J.P.Cull? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Engineering-Petroleum,Mining&Geological-PetroleumGeology? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-PetroleumGeology? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-Geophysics? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geology? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Geology-Dynamic&Geophysics? Subjects-Science-EarthSciences-Geophysics? Subjects-Science-General Shape and Structure, from Engineering to Nature Cambridge University Press? Adrian Bejan? CambridgeUniversityPress? AdrianBejan? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-BiologicalSciences-Zoology-General? Nonlinear Elasticity Theory and Applications (London Mathematical Society Lecture Note Series) Cambridge Univ Pr (Txp)? Y. B. Fu? R. W. Ogden? CambridgeUnivPr(Txp)? Y.B.Fu? R.W.Ogden? ジャンル別? Subjects-Engineering-General? Subjects-Medicine-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-LinearProgramming? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-LinearProgramming? Subjects-Science-Physics-Dynamics-FluidDynamics? Subjects-Science-Physics-Mechanics? Subjects-Science-Medicine-General? Business Performance Measurement Theory and Practice Cambridge Univ Pr (Sd)? Andrew D. Neely? CambridgeUnivPr(Sd)? AndrewD.Neely? ジャンル別? Subjects-Business&Investing-Careers-Entrepreneurship? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-HumanResources&PersonnelManagement? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-HumanResources&PersonnelManagement? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Reference-Careers-Entrepreneurship? Fundamentals of Medical Imaging Cambridge Univ Pr (Sd)? Paul Suetens? CambridgeUnivPr(Sd)? PaulSuetens? ジャンル別? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Engineering-General? Subjects-Engineering-Telecommunications? Subjects-Medicine-Physician&Patient-Diagnosis? Subjects-Medicine-Specialties-Radiology-DiagnosticImaging? Subjects-Medicine-Specialties-Radiology-General? Subjects-Medicine-InternalMedicine-Neurology? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Radiology-General? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Radiology-DiagnosticImaging? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-PhysicalExamination? Subjects-Science-General Subjects-Science-Physics-Engineering? Subjects-Science-Medicine-Physician&Patient-Diagnosis? Subjects-Science-Medicine-Specialties-Radiology-DiagnosticImaging? Subjects-Science-Medicine-Specialties-Radiology-General? Subjects-Science-Medicine-InternalMedicine-Neurology? Emissions Scenarios Special Report of the Intergovermental Panel on Climate Change Cambridge University Press? Rob Smart? Nebojsa Nakicenovic? Swart Nakicenovic? CambridgeUniversityPress? RobSmart? NebojsaNakicenovic? SwartNakicenovic? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Ecology-Rivers? Subjects-Outdoors&Nature-Environment-Weather? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Meteorology-General? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-General? Subjects-Science-EarthSciences-Meteorology-General? Subjects-Science-EarthSciences-Rivers? Subjects-Science-EarthSciences-Climatology-General? Subjects-Science-EarthSciences-Weather? Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-General Assumption-Based Planning A Tool for Reducing Avoidable Surprises (Rand Studies in Policy Analysis) Cambridge Univ Pr (Sd)? James A. Dewar? CambridgeUnivPr(Sd)? JamesA.Dewar? ジャンル別? Substores-UnknownASINs-13? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-Systems&Planning? Subjects-Engineering-General? Subjects-History-Military-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Systems&Planning? Subjects-Science-Mathematics-Applied? Breakup of Liquid Sheets and Jets Cambridge Univ Pr (Sd)? S. P. Lin? CambridgeUnivPr(Sd)? S.P.Lin? ジャンル別? Substores-UnknownASINs-13? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Mathematics-Applied? Subjects-Science-Physics-Dynamics-FluidDynamics? Subjects-Science-Physics-General? Introduction to Structural Dynamics and Aeroelasticity (Cambridge Aerospace Series, 15) Cambridge Univ Pr (Sd)? Dewey H. Hodges? G. Alvin Pierce? CambridgeUnivPr(Sd)? DeweyH.Hodges? G.AlvinPierce? ジャンル別? Subjects-Engineering-Aerospace-Aerodynamics? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Aerospace-StructuralDynamics? Subjects-Engineering-Aerospace-Applied? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Civil-Structural? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-Aerospace-Aerodynamics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Aerospace-StructuralDynamics? Subjects-Professional&Technical-Engineering-Aerospace-Applied? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Astronomy-Aeronautics&Astronautics? Innovative Energy Strategies for Co2 Stabilization Cambridge Univ Pr (Sd)? Robert G. Watts? CambridgeUnivPr(Sd)? RobertG.Watts? ジャンル別? Subjects-Engineering-Energy-General? Subjects-Engineering-General? Subjects-Outdoors&Nature-NaturalResources-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Energy-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-Energy? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-AtmosphericSciences-AtmosphericChemistry? Subjects-Science-General Subjects-Science-Nature&Ecology-NaturalResources-General? Subjects-Science-Physics-Energy? Subjects-Science-Technology-RenewableEnergy? Decisions and Elections Explaining the Unexpected Cambridge Univ Pr (Sd)? Donald G. Saari? CambridgeUnivPr(Sd)? DonaldG.Saari? ジャンル別? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-Theory? Subjects-Business&Investing-Management&Leadership-Decision-Making&ProblemSolving? Subjects-Engineering-General? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-Sociology? Subjects-Nonfiction-SocialSciences-PoliticalScience-General? Subjects-Nonfiction-Government-Elections? Subjects-Nonfiction-Economics-General? Subjects-Nonfiction-Economics-Theory? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-Theory? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Decision-Making&ProblemSolving? Airplane Stability and Control A History of the Technologies That Made Aviation Possible (Cambridge Aerospace Series, 14) Cambridge Univ Pr (Sd)? Malcolm J. Abzug? E. Eugene Larrabee? CambridgeUnivPr(Sd)? MalcolmJ.Abzug? E.EugeneLarrabee? ジャンル別? Subjects-Engineering-Aerospace-Aerodynamics? Subjects-Engineering-Aerospace-Applied? Subjects-Engineering-Aerospace-AircraftDesign&Construction? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-Aerospace-Aerodynamics? Subjects-Professional&Technical-Engineering-Aerospace-Applied? Subjects-Professional&Technical-Engineering-Aerospace-AircraftDesign&Construction? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Astronomy-Aeronautics&Astronautics? Applied Linear Optimal Control Examples and Alogrithms Cambridge Univ Pr (Sd)? Arthur E. Bryson? CambridgeUnivPr(Sd)? ArthurE.Bryson? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Automation? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-ControlEngineering-Theory? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-Automation? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-ControlEngineering-Theory? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-Mathematics-Applied? Mathematical Methods for Physics and Engineering A Comprehensive Guide Cambridge Univ Pr (Sd)? Kenneth Franklin Riley? Michael Paul Hobson? S. J. Bence? CambridgeUnivPr(Sd)? KennethFranklinRiley? MichaelPaulHobson? S.J.Bence? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalAnalysis? Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalPhysics? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-MathematicalAnalysis? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-MathematicalPhysics? Subjects-Science-Physics-General? Space, the Final Frontier? Cambridge Univ Pr (T)? Giancarlo Genta? Michael J. Rycroft? CambridgeUnivPr(T)? GiancarloGenta? MichaelJ.Rycroft? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astronomy? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-Physics-Astrophysics? Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Science-Astronomy-Astronomy? Fractal Speech Processing Cambridge Univ Pr (Sd)? Marwan Al-Akaidi? CambridgeUnivPr(Sd)? MarwanAl-Akaidi? ジャンル別? Subjects-Computers&Internet-Software-Business-SpeechProcessing? Subjects-Computers&Internet-ComputerScience-Circuitry-Communication&SignalProcessing? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Nonfiction-SocialSciences-Linguistics-Applied? Subjects-Nonfiction-Education-Reference-Words&Language-Speech? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Fractals? Subjects-Reference-Words&Language-Linguistics? Subjects-Reference-Words&Language-Speech? Subjects-Reference-General? Subjects-Science-Mathematics-PureMathematics-Fractals? Gear Geometry and Applied Theory Cambridge Univ Pr (Sd)? Faydor L. Litvin? Alfonso Fuentes? CambridgeUnivPr(Sd)? FaydorL.Litvin? AlfonsoFuentes? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Machinery? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Machinery? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Geometry&Topology-GeneralGeometry? Subjects-Science-General Subjects-Science-Mathematics-Geometry&Topology-GeneralGeometry? Measurement In Fluid Mechanics Cambridge Univ Pr (Sd)? Stavros Tavoularis? CambridgeUnivPr(Sd)? StavrosTavoularis? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-FluidMechanics? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-FluidMechanics? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Physics-Dynamics-FluidDynamics? Subjects-Science-Physics-FluidMechanics? Practical Interfacing in the Laboratory Using a PC for Instrumentation, Data Analysis, and Contro Cambridge Univ Pr (Sd)? Stephen E. Derenzo? CambridgeUnivPr(Sd)? StephenE.Derenzo? ジャンル別? Subjects-Computers&Internet-Networking? Subjects-Computers&Internet-Hardware-PCs? Subjects-Computers&Internet-General? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Experiments,Instruments&Measurement-ScientificInstruments? Subjects-Science-General The Moonlandings An Eyewitness Account Cambridge Univ Pr (T)? Buzz Aldrin? Reginald Turnill? CambridgeUnivPr(T)? BuzzAldrin? ReginaldTurnill? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astronomy? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Physics-Astrophysics? Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Science-Astronomy-Astronomy? Subjects-Travel-GuidebookSeries-Eyewitness-General? Global It Outsourcing Software Development Across Borders Cambridge University Press? Sundeep Sahay? S. Krishna? Brian Nicholson? CambridgeUniversityPress? SundeepSahay? S.Krishna? BrianNicholson? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Decision-Making&ProblemSolving? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Computers&Internet-Networking-DataintheEnterprise-Outsourcing? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-Programming-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Decision-Making&ProblemSolving? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Science-Technology-General&Reference Detection of Light From the Ultraviolet to the Submillimeter Cambridge Univ Pr (Sd)? G. H. Rieke? CambridgeUnivPr(Sd)? G.H.Rieke? ジャンル別? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astronomy? Subjects-Professional&Technical-ProfessionalScience-Physics-Optics? Subjects-Science-Experiments,Instruments&Measurement-ScientificInstruments? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Optics? Subjects-Science-Physics-Applied? Subjects-Science-Astronomy-Astronomy? Discrete Choice Methods With Simulation Cambridge Univ Pr (Sd)? Kenneth E. Train? CambridgeUnivPr(Sd)? KennethE.Train? ジャンル別? Substores-UnknownASINs-13? Subjects-Business&Investing-Economics-Econometrics? Subjects-Business&Investing-Economics-Statistics? Subjects-Business&Investing-General? Subjects-Engineering-General? Subjects-Nonfiction-Economics-Econometrics? Subjects-Nonfiction-Economics-Statistics? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Accounting&Finance-Economics-Econometrics? Subjects-Professional&Technical-Accounting&Finance-Economics-Statistics? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Science-Mathematics-Applied-Probability&Statistics? Subjects-Science-Mathematics-Chaos&Systems? Satisficing Games and Decision Making With Applications to Engineering and Computer Science Cambridge Univ Pr (Sd)? Wynn C. Stirling? CambridgeUnivPr(Sd)? WynnC.Stirling? ジャンル別? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-Networks? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Mathematics-Chaos&Systems? Reciprocity in Elastodynamics (Cambridge Monographs on Mechanics) Cambridge Univ Pr (Sd)? J. D. Achenbach? CambridgeUnivPr(Sd)? J.D.Achenbach? ジャンル別? 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ZWEITER AUFZUG Erste Szene (Marta und Pedro sitzen in derselben Stellung wie am Ende des ersten Aufzugs. Morgendämmerung) NURIS STIMME (hinter der Szene, näherkommend) Die Sterne gingen zur Ruh, der Tag ist aufgewacht; reibt sich die Augen aus und lacht. Wer darf noch traurig sein im hellen Sonnenschein? (Marta ist aufgewacht. Sie wirft einen Blick auf den noch immer schlafenden Pedro und verschwindet während Nuris Gesang in ihrem Zimmer) Die Welt ist schön, die Welt ist weit, die Sonne füllt sie mit Fröhlichkeit. Ich möchte ihr küssen das goldne Gesicht, doch küssen, nein, das läßt sie sich nicht. Sie ist so weit, und ich bin so klein, ich bin nur ein dummes Mägdelein. Gott grüss dich, Pedro! PEDRO Marta! NURI Nicht Marta ist es! Ich bin s bloß. PEDRO Und wo ist Marta? NURI Das fragst du mich? Bist du denn nicht der Ehemann? Seit gestern abend bist du s schon! PEDRO Seit gestern abend! NURI Ich stricke dir hier eine schöne Jacke. Die deine ist grau und häßlich PEDRO Laß sein, mein Kind, ich werde sie nicht tragen. Und eh sie fertig, ist, bin ich weit fort. NURI Fort willst du? PEDRO Von Marta will ich fort. Es macht mich toll! Wie kam das Licht in jenes Zimmer! Wer war s? Ich will ihn töten! Ich geb nicht Ruh, bis ich ihm nicht das Messer in die Gurgel stoße! NURI Was ist dir, Pedro? PEDRO Verzeih, mein Kind! NURI Tut dir was weh? Ich weiß ja, was dir wehe tut. Ist Marta nicht lieb zu dir? Und lachen die Leute? PEDRO Die Leute lachen? NURI Sie sagen alle »Ach, der arme Pedro!« Und lachen und kichern dabei. Warum denn bloß? PEDRO Warum? Warum? Sie wissen um mein Elend. Nur ich, ich weiß nicht, wer es war Warum, ach warum kam ich herab? Herab von meinen Höhn, wo ich in Frieden lebte! NURI Du tust mir leid. Kann ich dir gar nicht helfen? Ich hab dich lieb. Ich möcht dich fröhlich sehn. PEDRO Du gutes Kind! (Er fährt ihr durch die Haare) Zweite Szene (Marta tritt langsam aus der Kammer) NURI Da ist Marta. Nun will ich gehen. PEDRO O geh nicht, bleibe! MARTA (für sich) Was hat er an dem Mädchen? Was schwätzt er nur mit ihr? Gefällt sie ihm wohl gar? (Sie schürt das Feuer, über dem ein Topf hängt) Dummes Feuer, willst du gar nicht brennen! Wovon reden sie nur? Ich will nicht! Will nicht! NURI Was gibt s denn neues? MARTA O, Nuri, weißt du, was es neues gibt? Ich will dich nicht mehr sehen! Geh fort aus diesem Haus! NURI Hörst du es, Pedro? Marta jagt mich fort. Ich wollt ihr helfen. MARTA Ich brauch dich nicht! Geh fort, sonst schlag ich dich! NURI Was hab ich denn getan? MARTA Ich will dich nicht mehr sehen! NURI Ich geh nur dann, wenn Pedro mir s befiehlt, er ist der Mann im Haus. MARTA So laß von Pedro dir es sagen. PEDRO Tu nur, was Marta dir befiehlt. Ich hab hier nichts zu reden. Sei gut, mein Kind, und geh. MARTA Nein, bleibe jetzt, ich will nicht, daß du gehst. NURI Was soll ich tun? PEDRO Geh nur, mein Kind, ich werde dich begleiten. MARTA Das darfst du nicht! Du bleibst bei mir, weil du... PEDRO Weil ich? MARTA Ich weiß nicht, weiß es nicht. (Sie sinkt weinend auf einen Stuhl) PEDRO Meinst du vielleicht, daß Marta weint? Fällt ihr nicht ein! Im Gegenteil, sie lacht. Wir lachen beide ja seit gestern, seit unserm Hochzeitstag. (Er führt Nuri, die er um die Hüfte faßt, fort) So komm, mein liebes Kind, und folge mir. Kehr nie zurück zu uns ins Haus. Was willst du hier? Hier wohnt das Unglück, hier wohnen wir. (Er geht mit Nuri ab) MARTA Er soll mit ihr nicht sprechen! Er soll mit ihr nicht gehn! Er ist ja mein! Und niemand soll mir Pedro rauben! (Wie sie auf die Tür zugeht, stößt sie mit Tommaso zusammen) Dritte Szene TOMMASO Wo willst du hin? MARTA Ich weiß es nicht! Bei Gott, ich weiß es nicht! TOMMASO Ich sah, wie Pedro von hier fortging, verzweiflungsvoll. MARTA Verzweiflungsvoll! TOMMASO Man lacht ihn aus und er weiß nicht, warum. Man spottet sein, und er kann keinen fassen. Sie alle kennen seine Schande. Nur er kennt ihren Namen nicht. Er wird mich fragen »Sag, Tommaso, wer ist s? Wie heißt der Mann? Ich schlag ihn tot!« Und ich, ich war der Fürsprech dieser Ehe. Dich aber hass ich! Schlagen möcht ich dich! MARTA So tu s! TOMMASO Nun weiß ich, was du bist. Du bist eine... MARTA Ihr dürft mich schlagen, doch beschimpfen nicht. Sagt mir, Tommaso, hattet ihr kein Kind? TOMMASO Ich hatte eine Tochter. Der Himmel nahm sie mir. MARTA Denkt Eurer Tochter, eh Ihr mich verurteilt! Wärt Ihr vor ihr gestorben, wäre sie allein gestanden in der bösen Welt, in Not, in Elend. Wer hätt sie beschützt? O Gott im Himmel, erbarme dich mein und nimm mich endlich zu dir! Nur du kannst mich retten, nur du mich erlösen! (Sie sinkt weinend auf einen Stuhl) TOMMASO Du weinst? Das sind echte Tränen! MARTA Erfahren sollt Ihr, wie alles kam. Ich lüge nicht, so wahr ich elend bin! Wollt Ihr mich hören? TOMMASO So sprich! MARTA Ich weiß nicht, wer mein Vater war. Ich sah ihn nie, weiß nichts von ihm. Die Mutter bettelte in Barcelona In Sonnenbrand und Schnee und Regen stand ich mit ihr, der blinden Frau, vor Kirchentüren und an Straßenecken. Sie sprach kein Wort. Mit ausgestreckter Hand stand sie nur da. Ich klammert mich an sie und weinte in die Falten ihres Kleides. Und eines Tages kam ein Mann zu uns, ein lahmer Alter. Und wir bettelten zu dritt. Die Mutter und der Alte, sie schlugen sich und zankten oft ganze Nächte lang. O welch ein Leben voller Qual war das! Doch eines Nachts gab s keinen lauten Lärm. Still lag die Mutter auf der Erde, stumm saß der Alte neben ihr. Am Morgen aber stand er auf und sagt zu mir sie ist gestorben. Der Worte Sinn verstand ich nicht. Und Jahre später weint ich um die Mutter erst. TOMMASO Erzähle weiter! MARTA Von Barcelona zogen wir hinaus ins flache Land, von Dorf zu Dorf. Ich wuchs heran. Wie gerne, ach, hätt Arbeit ich gesucht. Der Alte aber hielt mich fest. Er ließ mich tanzen und die Leute gafften und warfen mir die Münzen vor die Füße Er war zufrieden. Und was kümmert s ihn, daß ich die langen Nächte still durchweinte. TOMMASO Du armes Kind! MARTA So kamen wir denn eines Tags hierher. Ich tanzte vor den Bauern, und der Alte ging umher und heischte milde Gaben. Da trat ein Mann zu mir, sie nannten ihn den Herrn, und Sebastiano war s. Er strich mir übers Haar und fragte mich, wieso es komme, daß ich so schön geworden, wo ich das Tanzen gelernt? Zum erstenmal sprach einer gut mit mir. Dann wandte sich der Herr zu meinem Herrn und frug ihn, ob er hier nicht bleiben wolle, als Müller auf der Mühle. Ich sah ihn bittend an O nicht mehr betteln gehn und nicht mehr tanzen müssen auf der Straße! Der Alte sprach leise mit Sebastiano. Sie stritten und sie feilschten... und wir blieben. Ich zählte damals dreizehn Jahre. Und jeden Tag kam Sebastiano. Er brachte mir Geschenke, bat und drohte. Der Alte schlug mich, riß mich bei den Haaren. Wenn ich den Herrn nicht erhörte, wär es aus mit Ruh und Frieden. Ich sollte wieder betteln, wieder tanzen, nein, nein, nein! Und so ist es geschehn. TOMMASO Du Unglückselige! MARTA Ein Wunder geschah mir war es in der Kirche, als sprach zu mir ein Bote aus der Höh Das ist dein Mann, dein Schutz und Stab, er wird dich retten aus aller Not und Qual. Und Pedro, Pedro liebt mich, er liebt mich wirklich, die ich s nicht verdiene. TOMMASO Wenn du ihn liebst, so kenn ich deine Pflicht Du mußt ihm alles sagen. MARTA Ich soll ihm sagen? Soll ihm meine Schande sagen? Und wenn er geht? Und wenn ich ihn verliere? TOMMASO Er muss es wissen! Muss von dir es wissen. Genug der Lüge. Hab den Mut zur Wahrheit! MARTA So betet für mich! TOMMASO Das will ich tun! Ich will vom Himmel Stärke dir erflehn, als wärst du meine Tochter. Vertrau auf Gott, der Wunder tut. Der Wunder größtes aber ist die Liebe. MARTA (kniet vor ihm nieder) So segnet mich. TOMMASO In seine Arme schliess dich Gott, der Allverzeihende. Er gebe dir Stärke, er gebe dir Mut, der Allbarmherzige! Vertrau auf ihn und du bist stark, blick auf zu ihm und seine Gnade ist dein Schild. (Man hört im Hintergrund Stimmen, Lachen und Schwatzen) MARTA Die Weiber kommen, und Nuri ist mit ihnen. Ich will sie nicht sehen, lebt wohl. (Marta geht ab) Vierte Szene (Pepa, Antonia, nuri und Rosalia treten ein) PEPA Da ist Tommaso. Er muss reden! ANTONIA Wo ist Marta? Wo ist Pedro? ROSALIA Erzähl uns, was geschah. TOMMASO Ich weiß von nichts. PEPA Er will gehn! (ihn zurückhaltend) So wart doch einen Augenblick! TOMMASO Frieden sei mit euch! (Er geht ab) ANTONIA Der alte Brummbär, nicht reden will er! NURI Er weiß ja nichts. Nur ich weiß viel. PEPA, ANTONIA, ROSALIA O gute Nuri, liebes, süßes Kind, erzähl uns rasch, wie war s, was ist geschehn? NURI Macht keinen Lärm, denn Pedro kommt. Wollt ihr was erfahren, so fragt ihn selbst. Fünfte Szene (Pedro tritt ein. Alle weichen zurück. Er geht nach vorne und setzt sich nieder) PEPA Ei, so mürrisch, so verdrießlich! ROSALIA Am Morgen nach der Hochzeit! (Pepa, Antonia und Rosalia lachen Pedro aus) PEDRO Was für Recht habt ihr zu lachen? PEPA Wir lachen ja nicht. ANTONIA Nein, niemand hat gelacht. PEDRO Ich ertrag es nicht länger, ich will, daß ihr sprecht. Mit dem Lachen ist es aus! (Er faßt Pepa an) Sprich du für alle! Ihr lachtet gestern, lachtet heut. Was hab ich euch getan? Was tat euch Marta? (Er schüttelt sie mit beiden Armen) Ihr sollt mir Antwort geben, schamlose Weiber! ROSALIA Du bist ein Narr! PEDRO Ein Narr bin ich. Da hast du recht. Doch ihr treibt mich zum Wahnsinn. Ist dir dein Leben lieb, so rede jetzt! Warum habt ihr gelacht? ANTONIA So frag doch Marta! PEPA, ANTONIA, ROSALIA So frag doch Marta! PEDRO Marta? Ich soll sie fragen? PEPA, ANTONIA, ROSALIA Frag Marta! NURI Frag Marta! PEPA, ANTONIA, ROSALIA Da kommt sie selbst! (Sie gehen ab) Sechste Szene (Marta kommt herein, nimmt den Topf vom Feuer und stellt ihn auf den Tisch) MARTA Das Essen ist da. PEDRO Ich kann nicht essen, Marta, ich will mit dir sprechen. MARTA (näherkommend) Was willst du mir sagen? PEDRO Bleib mir vom Leibe, geh! Ich kehr zurück in meine Berge, woher ich kam, leb wohl! MARTA Du darfst nicht gehn, um Christi Wunden willen! Verzeihe PEDRO Ich soll dir verzeihen? Du hast mich betrogen! Verachten, verfluchen sollt ich dich! Ich sollt dich töten! MARTA Ja, töte mich, ich bitte dich darum. PEDRO Dich töten, nein. Ich gehe fort und seh dich niemals wieder. MARTA (versucht verzweifelt, ihn zurückzuhalten) Du hast den Mut nicht, mich zu töten! Ja, du hast Furcht, ein feiger Wicht bist du! PEDRO Ich, Furcht? MARTA Beschimpf mich, schlag mich, tritt mich mit Füßen! Stoß mir das Messer in die Brust, nur geh nicht fort! (Sie umklammert seine Knie) PEDRO Im Tiefland sterb ich, laß mich auf die Berge, bleib du in deinem Sumpf! Mit ihm! (Er macht sich von ihr los, stößt sie zurück und geht dem Tor zu. Sie ist auf den Boden gefallen, wo sie sich aufrichtet) MARTA (verzweiflungsvoll, fast irre) Mit ihm, den ich liebe! Ja, du sprichst wahr ich hab dich betrogen, hörst du es wohl? Du bist ein Feigling und strafst mich nicht. Geh nicht fort von mir, Pedro! Ich hab einem andern gehört. Sein war ich. Hörst du mich wohl? Sein und nicht dein! PEDRO (kehrt wütend zurück und droht ihr mit der Faust) Schweig! (Marta steht auf) MARTA Ein Dummkopf bist du. Begreifst du denn nicht? Ich hab dich betrogen und lache darob. (Sie lacht wie eine Wahnsinnige) Ich lache wie alle. Die Hochzeit war lustig! Sie lachten alle, und er, er, er lachte auch. (Sie lacht) PEDRO (stürzt auf den Tisch zu und ergreift das Messer) Gott soll mich strafen, wenn ich nicht... MARTA (hängt sich an seinen Arm) Der andere lachte. Hahaha! PEDRO (das Messer schwingend) Des Todes bist du! MARTA So hab den Mut und stoße zu! Laß sehen, ob du kein Feigling bist! PEDRO (sich wieder von ihr entfernend) Ich tu dir nichts zu Leide! MARTA Welch ein feiger Wicht bist du! Um eine Handvoll Geld hast du dich verkauft! PEDRO (außer sich, führt er einen Stoß gegen sie) Ich mich verkauft... (gesprochen) Verruchte! (verwundet sie am Arm) MARTA Ah, endlich! PEDRO (schleudert entsetzt das Messer von sich) Was hab ich getan? MARTA Mein Blut vergossen hast du, oh, wenn du wüßtest, wie selig ich bin! PEDRO Verflucht bin ich! Ich bin ein wildes Tier! (Er sinkt auf einen Stuhl. Marta nähert sich ihm, sinkt in die Knie und schlingt die Arme um ihn) MARTA Du hast nur deine Pflicht getan! Ich wollte ja den Tod durch dich! Ich bitte dich, stoß zu, hier, mitten in das Herz! PEDRO Laß mich! MARTA Siehst du denn nicht, daß mir das Leben zur Last? Ich muss ja sterben! Und ich wär selig, stürb ich durch dich! Nichts wäscht mich rein von Schuld und Sünde als nur mein Tod. Doch glaube mir, mein Pedro, glaube mir, ich war nicht schlecht, ich war nur elend. Die Menschen gingen böse mit mir um. Mein Glück zertraten sie. Nur einen Augenblick des Glücks kannst du mir geben töte mich und mach ein Ende! PEDRO (sie in seine Arme schließend) Ich soll dich töten? Dich, die ich liebe? Seitdem ich dich sah, bin ich ja toll von Liebe. Was kümmert s mich, wer du auch seist! Was kümmert s mich, was du getan! Du hast mich behext, ich kann nicht los von deines Herzens Zauber. Und wie ich mich auch wehren mag, ich komme tiefer stets in deinen Bann. Ich will dich küssen, will dich halten, will mich verbeißen in dich Ich heb dich auf und trag dich fort in meine Berge. Im Sturmgetos, im wirbelnden Schnee, in meiner Berge freier Luft, dort will ich Hochzeit mit dir halten, dort raubt dich mir niemand, niemand, dort bist du mein! Nun mögen sie kommen, ich trotze ihnen! MARTA Mein Gott! PEDRO (will sie halten) Nun bist du mein! MARTA Nein, nein! PEDRO Marta! MARTA Eh du mich küssest, sollst du wissen, ob du es darfst. Ich will dir erzählen, wie alles geschah. Dann richte mich! Dann tu, was Gottes Wille ist! PEDRO Nein, nein, nicht hier! Wir wollen hinauf in die Berge! MARTA Wir wollen hinauf in die Berge! MARTA, PEDRO An Gottes Brust uns legen! PEDRO So komm! MARTA Ich komm! PEDRO So komm! (Sie gehen dem Tore zu) Siebente Szene SEBASTIANO (tritt den beiden entgegen) Recht guten Tag! Was gibt es neues? PEDRO Gut, daß Ihr kommt. Nehmt Eure Mühle wieder. Ich kehr zurück, woher ich kam. SEBASTIANO (ohne auf ihn zu achten, zu Marta) Heut abend kommt der Vater meiner Braut. Bis dahin will ich lustig sein. Ich sah dich lang nicht tanzen! Tanz mir was vor, ich spiel dir auf. Tanz! Sag ich dir. (Bauern und Bäuerinnen treten ein. Sebastiano ergreift eine Gitarre) Hüll in die Mantilla dich fester ein, verbirg den Kopf im Schleier Nun tanze, Geliebte, nun tanze fein, mir zur Feier. Dreh dich im Takt der Melodie und wieg dich in den Hüften und heb das Knie. Nun tanze, Geliebte, nun tanze fein, mir zur Feier. BAUERN, BÄUERINNEN Dreh dich im Takt der Melodie etc. PEDRO Hör auf! Und du, Marta, komm fort! SEBASTIANO Nun zeige im Tanze, was dich bewegt, zeig mir in deinem Blicke wie laut das Herz entgegen mir schlägt, dem Liebesglücke. Ich weiß von Küssen verschwiegen und heiß und tausend Tändelein, des Sängers Preis! Wie laut das Herz entgegenschlägt dem Liebesglücke. BAUERN, BÄUERINNEN Ich weiß von Küssen etc. PEDRO Marta, komm fort! SEBASTIANO Was sagt der Mensch? MARTA Er sagt... PEDRO Wir wollen fort! MARTA Wir wollen fort! BAUERN, BÄUERINNEN Sie wollen fort! SEBASTIANO Du bist von Sinnen! Es darf nicht sein! (Er greift Marta am Arm) PEDRO O Herr, was tut Ihr denn? SEBASTIANO Ich halte, was mein ist! PEDRO Ist Marta nicht mein Weib? MARTA Ich geh mit Pedro, und Ihr habt kein Recht mir zu verbieten! SEBASTIANO Kein Recht? Das will ich sehn! (zu den Leuten) Jagt mir den Kerl hier vom Hof! (zu Marta) Und du bleibst hier! PEDRO (faßt Marta beide Hand) Mein Weib ist mein, und wir gehn fort! SEBASTIANO Da, nimm für deine Frechheit, du Lump, du Taugenichts! (Er gibt ihm eine Ohrfeige) PEDRO (wütend aufschreiend) Ah! MARTA Pedro, er hat dich geschlagen! Nimm Rache dafür! PEDRO Wie darf ich denn? Er ist der Herr! MARTA Der Herr ist er?! Er war es, der in Schand und Schmach dein Weib gestoßen hat. Er brachte Unheil über mich und dich. Er kam heut Nacht in meine Kammer! PEDRO Was sagst du da? Ihr!! (Er will sich auf Sebastiano stürzen, aber die anderen halten ihn zurück) Du Schuft! Du Dieb! SEBASTIANO Schafft ihn fort! PEDRO Ich töte dich! SEBASTIANO Was zaudert ihr? Hinaus mit ihm! PEDRO Laßt mich los! Los! sag ich! Dein Blut will ich! Dein Leben! BAUERN, BÄUERINNEN Hinaus! Fort! SEBASTIANO (Marta packend) Die aber bleibt mein für immer! MARTA Pedro, mein Pedro, hilf! PEDRO Ich helfe dir! So wahr ein Gott im Himmel ist! Ich helfe dir! (Die Männer bringen den wütenden Pedro fort, und Sebastiano wendet sich lachend und selbstbewußt Marta zu, die bewußtlos zu Boden gesunken ist. Tommaso erscheint) Achte Szene SEBASTIANO Was wollt Ihr, he? TOMMASO Den Vater Eurer Braut sprach ich soeben. SEBASTIANO Was sagt er Euch? TOMMASO Er läßt Euch grüßen und s ist alles aus! Schlagt Euch nur seine Tochter aus dem Kopf. SEBASTIANO Tod und Teufel! Wer hat ihm gesagt? TOMMASO Ich sagt ihm alles. Ja, ich selbst. SEBASTIANO Schwachsinniger Alter! (Tommaso ab) MARTA (gesprochen) Heilige Jungfrau, steh mir bei! SEBASTIANO Nun hab ich nichts als dich mehr auf der Welt Die Braut ist verloren, verloren bin ich selbst! Dich aber laß ich nicht. MARTA Du kannst mich töten, doch mich halten nicht! SEBASTIANO Ei, mein Schätzchen, du bist wild. Ich will den Trotz dir schon vertreiben. Die Mühle hier ist mein, und du bist mein! Versuchs, mir zu entrinnen! MARTA Bei welcher Macht des Himmels soll ich flehen um meine Freiheit? SEBASTIANO Der Himmel, der bleibt taub. Schrei nur zu Gott und seinen Heiligen. Ich trotze ihnen. Hier diese Mühle ist mein letzter Port. Hier will ich bleiben , vereint mit dir, mag draußen auch die Welt in Trümmer gehn! MARTA So kennst du keine Gnade? SEBASTIANO Liebe, ja, doch Gnade nicht! Ich kann nicht leben ohne dich! Ich kann nicht atmen ohne dich! MARTA Auch ich kenn eines nur die Liebe! Ich liebe Pedro! Hörst du mich?! SEBASTIANO Nenn diesen Namen nicht, verflucht sei er! MARTA Ich schreie ihn, so laut ich kann! Mein Pedro komm und hilf! SEBASTIANO Schweig, Marta, du machst mich rasend! MARTA Ich bin nicht mehr die schwache Marta von einst, das arme, hilflose Kind. Nicht mich verteidig ich. Ich kämpf um meine Liebe. Um Pedro kämpfe ich, ich kämpfe um mein Glück! Die Marta, die du kanntest, ist verschwunden. Hier steht ein Weib, bereit zum Tode um ihrer Liebe willen. SEBASTIANO Wie schön der Zorn dich kleidet! Ich will dich küssen! MARTA Laß mich! SEBASTIANO Komm! MARTA Zurück! Pedro! SEBASTIANO Ein Wille gilt s, der meine! Ich zwinge dich zu Boden! MARTA Gibt s keine Rettung? Pedro! Mein Pedro, kommst du nicht? SEBASTIANO Nein, keine Rettung! Mein bist du, mein! Mit meinen Küssen schliess ich dir den Mund. Du rufst vergebens! Nun soll er kommen und dich mir entreißen! Neunte Szene (Pedro stürzt herein und wirft sich auf Sebastiano) PEDRO Da bin ich, und ich entreiss sie dir! MARTA Mein Pedro! SEBASTIANO Wo kommst du her? PEDRO Ich komme durch dieselbe Tür, durch die du heute Nacht als Herr und Dieb gekommen bist. Nun sind wir allein, Mann gegen Mann! SEBASTIANO Mach fort, rasch! PEDRO Ich soll fort? Ich? Ich bin nicht mehr der Tölpel, den du dir von Roccabruna holen wolltest. Ich bin dein Knecht nicht mehr, wir beide stehn jetzt gleich, Mann gegen Mann! SEBASTIANO Du wagst es? Warte nur! (Er will zum Tor) MARTA Pedro! PEDRO (stellt sich mit einem Sprung zwischen Sebastiano und das Tor) Entwischen willst du, feiger Hund? Nein, du entkommst mir nicht! Wir wollen beide hier zu Ende kommen. Hier steht mein Weib! Ich hab ein Recht auf sie! Du willst es mir bestreiten! Nimm sie dir! Doch du mußt sie erkämpfen! Dem Sieger soll sie angehören. Und Sieger ist, der jetzt am Leben bleibt! SEBASTIANO Ein Messer hast du? Ich hab keines. PEDRO Ich brauch es nicht. Die Waffe, dich zu töten, trag ich im Herzen. (Er wirft das Messer weg) Komm, jetzt sind wir gleich. MARTA Was machst du, Pedro? PEDRO Bleib wo du bist und lasse mich. (zu Sebastiano) Was zauderst du? Nun sind wir gleich! SEBASTIANO Nun hüte dich! (Er stürzt sich auf das Messer) MARTA Ah! PEDRO (hat Sebastianos Absicht durchschaut, macht einen Sprung und stellt einen Fuß auf das Messer) Verräter! Glaubst du, ich schlafe? Nun hol dir das Messer! SEBASTIANO Gottverfluchter! PEDRO Du dauerst mich. Hast wirklich Pech! Vorbei ist deine Zeit und alles geht zu Ende! Ich mach ein Ende! SEBASTIANO Auch ich kann ringen! PEDRO So versuch s und wehre dich! (Sie kämpfen) MARTA O Gott im Himmel, heilige Jungfrau, Mutter der Gnaden, steh mir bei! PEDRO (faßt ihn beim Hals) Wehre dich! SEBASTIANO Hilfe! Hilfe! PEDRO Ruf sie nur! Ruf sie nur, deine Hunde! SEBASTIANO (gesprochen) Du erwürgst mich! MARTA (gesprochen) Mutter der Gnaden! PEDRO Du kannst dich nicht mehr wehren! Dein Leben lösch ich aus wie eine Kerze, die der Wind verlöscht. (Er erwürgt ihn) Da schau, nun ist er tot! Zehnte Szene (Männer und Frauen, Pepa, Rosalia, Antonia, Nuri und Tommaso treten auf) PEDRO He, Burschen, her! Ihr Weiber, kommt! Kommt alle her! BAUERN Was gibt s? BÄUERINNEN Was gibt s? PEDRO Der Herr ruft euch! PEPA (gesprochen) Tot? ROSALIA (gesprochen) O großer Gott! TOMMASO Des Himmels Strafe hat ihn gefällt! Gott sei dem Sünder gnädig! PEDRO Und nun, ihr Leute, lacht doch, lacht! Nun ist es Zeit zum Lachen! Du aber, Marta, komm! Wir wollen gehn. MARTA Ja, fort von hier! PEDRO Hinauf in meine Berge, hinauf zu Licht und Freiheit! Fort aus dem Tiefland! Macht Platz, ihr alle, gebt uns Raum! Ich hab den Wolf erwürgt, den Wolf, den Wolf hab ich getötet! (Er hebt Marta in seine Arme und trägt sie fort. Die Bauern und Bäuerinnen machen dem davoneilenden Paar Platz. Man sieht beide über das Gebirge ziehen) ZWEITER AUFZUG Erste Szene (Marta und Pedro sitzen in derselben Stellung wie am Ende des ersten Aufzugs. Morgendämmerung) NURIS STIMME (hinter der Szene, näherkommend) Die Sterne gingen zur Ruh, der Tag ist aufgewacht; reibt sich die Augen aus und lacht. Wer darf noch traurig sein im hellen Sonnenschein? (Marta ist aufgewacht. Sie wirft einen Blick auf den noch immer schlafenden Pedro und verschwindet während Nuris Gesang in ihrem Zimmer) Die Welt ist schön, die Welt ist weit, die Sonne füllt sie mit Fröhlichkeit. Ich möchte ihr küssen das goldne Gesicht, doch küssen, nein, das läßt sie sich nicht. Sie ist so weit, und ich bin so klein, ich bin nur ein dummes Mägdelein. Gott grüss dich, Pedro! PEDRO Marta! NURI Nicht Marta ist es! Ich bin s bloß. PEDRO Und wo ist Marta? NURI Das fragst du mich? Bist du denn nicht der Ehemann? Seit gestern abend bist du s schon! PEDRO Seit gestern abend! NURI Ich stricke dir hier eine schöne Jacke. Die deine ist grau und häßlich PEDRO Laß sein, mein Kind, ich werde sie nicht tragen. Und eh sie fertig, ist, bin ich weit fort. NURI Fort willst du? PEDRO Von Marta will ich fort. Es macht mich toll! Wie kam das Licht in jenes Zimmer! Wer war s? Ich will ihn töten! Ich geb nicht Ruh, bis ich ihm nicht das Messer in die Gurgel stoße! NURI Was ist dir, Pedro? PEDRO Verzeih, mein Kind! NURI Tut dir was weh? Ich weiß ja, was dir wehe tut. Ist Marta nicht lieb zu dir? Und lachen die Leute? PEDRO Die Leute lachen? NURI Sie sagen alle »Ach, der arme Pedro!« Und lachen und kichern dabei. Warum denn bloß? PEDRO Warum? Warum? Sie wissen um mein Elend. Nur ich, ich weiß nicht, wer es war Warum, ach warum kam ich herab? Herab von meinen Höhn, wo ich in Frieden lebte! NURI Du tust mir leid. Kann ich dir gar nicht helfen? Ich hab dich lieb. Ich möcht dich fröhlich sehn. PEDRO Du gutes Kind! (Er fährt ihr durch die Haare) Zweite Szene (Marta tritt langsam aus der Kammer) NURI Da ist Marta. Nun will ich gehen. PEDRO O geh nicht, bleibe! MARTA (für sich) Was hat er an dem Mädchen? Was schwätzt er nur mit ihr? Gefällt sie ihm wohl gar? (Sie schürt das Feuer, über dem ein Topf hängt) Dummes Feuer, willst du gar nicht brennen! Wovon reden sie nur? Ich will nicht! Will nicht! NURI Was gibt s denn neues? MARTA O, Nuri, weißt du, was es neues gibt? Ich will dich nicht mehr sehen! Geh fort aus diesem Haus! NURI Hörst du es, Pedro? Marta jagt mich fort. Ich wollt ihr helfen. MARTA Ich brauch dich nicht! Geh fort, sonst schlag ich dich! NURI Was hab ich denn getan? MARTA Ich will dich nicht mehr sehen! NURI Ich geh nur dann, wenn Pedro mir s befiehlt, er ist der Mann im Haus. MARTA So laß von Pedro dir es sagen. PEDRO Tu nur, was Marta dir befiehlt. Ich hab hier nichts zu reden. Sei gut, mein Kind, und geh. MARTA Nein, bleibe jetzt, ich will nicht, daß du gehst. NURI Was soll ich tun? PEDRO Geh nur, mein Kind, ich werde dich begleiten. MARTA Das darfst du nicht! Du bleibst bei mir, weil du... PEDRO Weil ich? MARTA Ich weiß nicht, weiß es nicht. (Sie sinkt weinend auf einen Stuhl) PEDRO Meinst du vielleicht, daß Marta weint? Fällt ihr nicht ein! Im Gegenteil, sie lacht. Wir lachen beide ja seit gestern, seit unserm Hochzeitstag. (Er führt Nuri, die er um die Hüfte faßt, fort) So komm, mein liebes Kind, und folge mir. Kehr nie zurück zu uns ins Haus. Was willst du hier? Hier wohnt das Unglück, hier wohnen wir. (Er geht mit Nuri ab) MARTA Er soll mit ihr nicht sprechen! Er soll mit ihr nicht gehn! Er ist ja mein! Und niemand soll mir Pedro rauben! (Wie sie auf die Tür zugeht, stößt sie mit Tommaso zusammen) Dritte Szene TOMMASO Wo willst du hin? MARTA Ich weiß es nicht! Bei Gott, ich weiß es nicht! TOMMASO Ich sah, wie Pedro von hier fortging, verzweiflungsvoll. MARTA Verzweiflungsvoll! TOMMASO Man lacht ihn aus und er weiß nicht, warum. Man spottet sein, und er kann keinen fassen. Sie alle kennen seine Schande. Nur er kennt ihren Namen nicht. Er wird mich fragen »Sag, Tommaso, wer ist s? Wie heißt der Mann? Ich schlag ihn tot!« Und ich, ich war der Fürsprech dieser Ehe. Dich aber hass ich! Schlagen möcht ich dich! MARTA So tu s! TOMMASO Nun weiß ich, was du bist. Du bist eine... MARTA Ihr dürft mich schlagen, doch beschimpfen nicht. Sagt mir, Tommaso, hattet ihr kein Kind? TOMMASO Ich hatte eine Tochter. Der Himmel nahm sie mir. MARTA Denkt Eurer Tochter, eh Ihr mich verurteilt! Wärt Ihr vor ihr gestorben, wäre sie allein gestanden in der bösen Welt, in Not, in Elend. Wer hätt sie beschützt? O Gott im Himmel, erbarme dich mein und nimm mich endlich zu dir! Nur du kannst mich retten, nur du mich erlösen! (Sie sinkt weinend auf einen Stuhl) TOMMASO Du weinst? Das sind echte Tränen! MARTA Erfahren sollt Ihr, wie alles kam. Ich lüge nicht, so wahr ich elend bin! Wollt Ihr mich hören? TOMMASO So sprich! MARTA Ich weiß nicht, wer mein Vater war. Ich sah ihn nie, weiß nichts von ihm. Die Mutter bettelte in Barcelona In Sonnenbrand und Schnee und Regen stand ich mit ihr, der blinden Frau, vor Kirchentüren und an Straßenecken. Sie sprach kein Wort. Mit ausgestreckter Hand stand sie nur da. Ich klammert mich an sie und weinte in die Falten ihres Kleides. Und eines Tages kam ein Mann zu uns, ein lahmer Alter. Und wir bettelten zu dritt. Die Mutter und der Alte, sie schlugen sich und zankten oft ganze Nächte lang. O welch ein Leben voller Qual war das! Doch eines Nachts gab s keinen lauten Lärm. Still lag die Mutter auf der Erde, stumm saß der Alte neben ihr. Am Morgen aber stand er auf und sagt zu mir sie ist gestorben. Der Worte Sinn verstand ich nicht. Und Jahre später weint ich um die Mutter erst. TOMMASO Erzähle weiter! MARTA Von Barcelona zogen wir hinaus ins flache Land, von Dorf zu Dorf. Ich wuchs heran. Wie gerne, ach, hätt Arbeit ich gesucht. Der Alte aber hielt mich fest. Er ließ mich tanzen und die Leute gafften und warfen mir die Münzen vor die Füße Er war zufrieden. Und was kümmert s ihn, daß ich die langen Nächte still durchweinte. TOMMASO Du armes Kind! MARTA So kamen wir denn eines Tags hierher. Ich tanzte vor den Bauern, und der Alte ging umher und heischte milde Gaben. Da trat ein Mann zu mir, sie nannten ihn den Herrn, und Sebastiano war s. Er strich mir übers Haar und fragte mich, wieso es komme, daß ich so schön geworden, wo ich das Tanzen gelernt? Zum erstenmal sprach einer gut mit mir. Dann wandte sich der Herr zu meinem Herrn und frug ihn, ob er hier nicht bleiben wolle, als Müller auf der Mühle. Ich sah ihn bittend an O nicht mehr betteln gehn und nicht mehr tanzen müssen auf der Straße! Der Alte sprach leise mit Sebastiano. Sie stritten und sie feilschten... und wir blieben. Ich zählte damals dreizehn Jahre. Und jeden Tag kam Sebastiano. Er brachte mir Geschenke, bat und drohte. Der Alte schlug mich, riß mich bei den Haaren. Wenn ich den Herrn nicht erhörte, wär es aus mit Ruh und Frieden. Ich sollte wieder betteln, wieder tanzen, nein, nein, nein! Und so ist es geschehn. TOMMASO Du Unglückselige! MARTA Ein Wunder geschah mir war es in der Kirche, als sprach zu mir ein Bote aus der Höh Das ist dein Mann, dein Schutz und Stab, er wird dich retten aus aller Not und Qual. Und Pedro, Pedro liebt mich, er liebt mich wirklich, die ich s nicht verdiene. TOMMASO Wenn du ihn liebst, so kenn ich deine Pflicht Du mußt ihm alles sagen. MARTA Ich soll ihm sagen? Soll ihm meine Schande sagen? Und wenn er geht? Und wenn ich ihn verliere? TOMMASO Er muss es wissen! Muss von dir es wissen. Genug der Lüge. Hab den Mut zur Wahrheit! MARTA So betet für mich! TOMMASO Das will ich tun! Ich will vom Himmel Stärke dir erflehn, als wärst du meine Tochter. Vertrau auf Gott, der Wunder tut. Der Wunder größtes aber ist die Liebe. MARTA (kniet vor ihm nieder) So segnet mich. TOMMASO In seine Arme schliess dich Gott, der Allverzeihende. Er gebe dir Stärke, er gebe dir Mut, der Allbarmherzige! Vertrau auf ihn und du bist stark, blick auf zu ihm und seine Gnade ist dein Schild. (Man hört im Hintergrund Stimmen, Lachen und Schwatzen) MARTA Die Weiber kommen, und Nuri ist mit ihnen. Ich will sie nicht sehen, lebt wohl. (Marta geht ab) Vierte Szene (Pepa, Antonia, nuri und Rosalia treten ein) PEPA Da ist Tommaso. Er muss reden! ANTONIA Wo ist Marta? Wo ist Pedro? ROSALIA Erzähl uns, was geschah. TOMMASO Ich weiß von nichts. PEPA Er will gehn! (ihn zurückhaltend) So wart doch einen Augenblick! TOMMASO Frieden sei mit euch! (Er geht ab) ANTONIA Der alte Brummbär, nicht reden will er! NURI Er weiß ja nichts. Nur ich weiß viel. PEPA, ANTONIA, ROSALIA O gute Nuri, liebes, süßes Kind, erzähl uns rasch, wie war s, was ist geschehn? NURI Macht keinen Lärm, denn Pedro kommt. Wollt ihr was erfahren, so fragt ihn selbst. Fünfte Szene (Pedro tritt ein. Alle weichen zurück. Er geht nach vorne und setzt sich nieder) PEPA Ei, so mürrisch, so verdrießlich! ROSALIA Am Morgen nach der Hochzeit! (Pepa, Antonia und Rosalia lachen Pedro aus) PEDRO Was für Recht habt ihr zu lachen? PEPA Wir lachen ja nicht. ANTONIA Nein, niemand hat gelacht. PEDRO Ich ertrag es nicht länger, ich will, daß ihr sprecht. Mit dem Lachen ist es aus! (Er faßt Pepa an) Sprich du für alle! Ihr lachtet gestern, lachtet heut. Was hab ich euch getan? Was tat euch Marta? (Er schüttelt sie mit beiden Armen) Ihr sollt mir Antwort geben, schamlose Weiber! ROSALIA Du bist ein Narr! PEDRO Ein Narr bin ich. Da hast du recht. Doch ihr treibt mich zum Wahnsinn. Ist dir dein Leben lieb, so rede jetzt! Warum habt ihr gelacht? ANTONIA So frag doch Marta! PEPA, ANTONIA, ROSALIA So frag doch Marta! PEDRO Marta? Ich soll sie fragen? PEPA, ANTONIA, ROSALIA Frag Marta! NURI Frag Marta! PEPA, ANTONIA, ROSALIA Da kommt sie selbst! (Sie gehen ab) Sechste Szene (Marta kommt herein, nimmt den Topf vom Feuer und stellt ihn auf den Tisch) MARTA Das Essen ist da. PEDRO Ich kann nicht essen, Marta, ich will mit dir sprechen. MARTA (näherkommend) Was willst du mir sagen? PEDRO Bleib mir vom Leibe, geh! Ich kehr zurück in meine Berge, woher ich kam, leb wohl! MARTA Du darfst nicht gehn, um Christi Wunden willen! Verzeihe PEDRO Ich soll dir verzeihen? Du hast mich betrogen! Verachten, verfluchen sollt ich dich! Ich sollt dich töten! MARTA Ja, töte mich, ich bitte dich darum. PEDRO Dich töten, nein. Ich gehe fort und seh dich niemals wieder. MARTA (versucht verzweifelt, ihn zurückzuhalten) Du hast den Mut nicht, mich zu töten! Ja, du hast Furcht, ein feiger Wicht bist du! PEDRO Ich, Furcht? MARTA Beschimpf mich, schlag mich, tritt mich mit Füßen! Stoß mir das Messer in die Brust, nur geh nicht fort! (Sie umklammert seine Knie) PEDRO Im Tiefland sterb ich, laß mich auf die Berge, bleib du in deinem Sumpf! Mit ihm! (Er macht sich von ihr los, stößt sie zurück und geht dem Tor zu. Sie ist auf den Boden gefallen, wo sie sich aufrichtet) MARTA (verzweiflungsvoll, fast irre) Mit ihm, den ich liebe! Ja, du sprichst wahr ich hab dich betrogen, hörst du es wohl? Du bist ein Feigling und strafst mich nicht. Geh nicht fort von mir, Pedro! Ich hab einem andern gehört. Sein war ich. Hörst du mich wohl? Sein und nicht dein! PEDRO (kehrt wütend zurück und droht ihr mit der Faust) Schweig! (Marta steht auf) MARTA Ein Dummkopf bist du. Begreifst du denn nicht? Ich hab dich betrogen und lache darob. (Sie lacht wie eine Wahnsinnige) Ich lache wie alle. Die Hochzeit war lustig! Sie lachten alle, und er, er, er lachte auch. (Sie lacht) PEDRO (stürzt auf den Tisch zu und ergreift das Messer) Gott soll mich strafen, wenn ich nicht... MARTA (hängt sich an seinen Arm) Der andere lachte. Hahaha! PEDRO (das Messer schwingend) Des Todes bist du! MARTA So hab den Mut und stoße zu! Laß sehen, ob du kein Feigling bist! PEDRO (sich wieder von ihr entfernend) Ich tu dir nichts zu Leide! MARTA Welch ein feiger Wicht bist du! Um eine Handvoll Geld hast du dich verkauft! PEDRO (außer sich, führt er einen Stoß gegen sie) Ich mich verkauft... (gesprochen) Verruchte! (verwundet sie am Arm) MARTA Ah, endlich! PEDRO (schleudert entsetzt das Messer von sich) Was hab ich getan? MARTA Mein Blut vergossen hast du, oh, wenn du wüßtest, wie selig ich bin! PEDRO Verflucht bin ich! Ich bin ein wildes Tier! (Er sinkt auf einen Stuhl. Marta nähert sich ihm, sinkt in die Knie und schlingt die Arme um ihn) MARTA Du hast nur deine Pflicht getan! Ich wollte ja den Tod durch dich! Ich bitte dich, stoß zu, hier, mitten in das Herz! PEDRO Laß mich! MARTA Siehst du denn nicht, daß mir das Leben zur Last? Ich muss ja sterben! Und ich wär selig, stürb ich durch dich! Nichts wäscht mich rein von Schuld und Sünde als nur mein Tod. Doch glaube mir, mein Pedro, glaube mir, ich war nicht schlecht, ich war nur elend. Die Menschen gingen böse mit mir um. Mein Glück zertraten sie. Nur einen Augenblick des Glücks kannst du mir geben töte mich und mach ein Ende! PEDRO (sie in seine Arme schließend) Ich soll dich töten? Dich, die ich liebe? Seitdem ich dich sah, bin ich ja toll von Liebe. Was kümmert s mich, wer du auch seist! Was kümmert s mich, was du getan! Du hast mich behext, ich kann nicht los von deines Herzens Zauber. Und wie ich mich auch wehren mag, ich komme tiefer stets in deinen Bann. Ich will dich küssen, will dich halten, will mich verbeißen in dich Ich heb dich auf und trag dich fort in meine Berge. Im Sturmgetos, im wirbelnden Schnee, in meiner Berge freier Luft, dort will ich Hochzeit mit dir halten, dort raubt dich mir niemand, niemand, dort bist du mein! Nun mögen sie kommen, ich trotze ihnen! MARTA Mein Gott! PEDRO (will sie halten) Nun bist du mein! MARTA Nein, nein! PEDRO Marta! MARTA Eh du mich küssest, sollst du wissen, ob du es darfst. Ich will dir erzählen, wie alles geschah. Dann richte mich! Dann tu, was Gottes Wille ist! PEDRO Nein, nein, nicht hier! Wir wollen hinauf in die Berge! MARTA Wir wollen hinauf in die Berge! MARTA, PEDRO An Gottes Brust uns legen! PEDRO So komm! MARTA Ich komm! PEDRO So komm! (Sie gehen dem Tore zu) Siebente Szene SEBASTIANO (tritt den beiden entgegen) Recht guten Tag! Was gibt es neues? PEDRO Gut, daß Ihr kommt. Nehmt Eure Mühle wieder. Ich kehr zurück, woher ich kam. SEBASTIANO (ohne auf ihn zu achten, zu Marta) Heut abend kommt der Vater meiner Braut. Bis dahin will ich lustig sein. Ich sah dich lang nicht tanzen! Tanz mir was vor, ich spiel dir auf. Tanz! Sag ich dir. (Bauern und Bäuerinnen treten ein. Sebastiano ergreift eine Gitarre) Hüll in die Mantilla dich fester ein, verbirg den Kopf im Schleier Nun tanze, Geliebte, nun tanze fein, mir zur Feier. Dreh dich im Takt der Melodie und wieg dich in den Hüften und heb das Knie. Nun tanze, Geliebte, nun tanze fein, mir zur Feier. BAUERN, BÄUERINNEN Dreh dich im Takt der Melodie etc. PEDRO Hör auf! Und du, Marta, komm fort! SEBASTIANO Nun zeige im Tanze, was dich bewegt, zeig mir in deinem Blicke wie laut das Herz entgegen mir schlägt, dem Liebesglücke. Ich weiß von Küssen verschwiegen und heiß und tausend Tändelein, des Sängers Preis! Wie laut das Herz entgegenschlägt dem Liebesglücke. BAUERN, BÄUERINNEN Ich weiß von Küssen etc. PEDRO Marta, komm fort! SEBASTIANO Was sagt der Mensch? MARTA Er sagt... PEDRO Wir wollen fort! MARTA Wir wollen fort! BAUERN, BÄUERINNEN Sie wollen fort! SEBASTIANO Du bist von Sinnen! Es darf nicht sein! (Er greift Marta am Arm) PEDRO O Herr, was tut Ihr denn? SEBASTIANO Ich halte, was mein ist! PEDRO Ist Marta nicht mein Weib? MARTA Ich geh mit Pedro, und Ihr habt kein Recht mir zu verbieten! SEBASTIANO Kein Recht? Das will ich sehn! (zu den Leuten) Jagt mir den Kerl hier vom Hof! (zu Marta) Und du bleibst hier! PEDRO (faßt Marta beide Hand) Mein Weib ist mein, und wir gehn fort! SEBASTIANO Da, nimm für deine Frechheit, du Lump, du Taugenichts! (Er gibt ihm eine Ohrfeige) PEDRO (wütend aufschreiend) Ah! MARTA Pedro, er hat dich geschlagen! Nimm Rache dafür! PEDRO Wie darf ich denn? Er ist der Herr! MARTA Der Herr ist er?! Er war es, der in Schand und Schmach dein Weib gestoßen hat. Er brachte Unheil über mich und dich. Er kam heut Nacht in meine Kammer! PEDRO Was sagst du da? Ihr!! (Er will sich auf Sebastiano stürzen, aber die anderen halten ihn zurück) Du Schuft! Du Dieb! SEBASTIANO Schafft ihn fort! PEDRO Ich töte dich! SEBASTIANO Was zaudert ihr? Hinaus mit ihm! PEDRO Laßt mich los! Los! sag ich! Dein Blut will ich! Dein Leben! BAUERN, BÄUERINNEN Hinaus! Fort! SEBASTIANO (Marta packend) Die aber bleibt mein für immer! MARTA Pedro, mein Pedro, hilf! PEDRO Ich helfe dir! So wahr ein Gott im Himmel ist! Ich helfe dir! (Die Männer bringen den wütenden Pedro fort, und Sebastiano wendet sich lachend und selbstbewußt Marta zu, die bewußtlos zu Boden gesunken ist. Tommaso erscheint) Achte Szene SEBASTIANO Was wollt Ihr, he? TOMMASO Den Vater Eurer Braut sprach ich soeben. SEBASTIANO Was sagt er Euch? TOMMASO Er läßt Euch grüßen und s ist alles aus! Schlagt Euch nur seine Tochter aus dem Kopf. SEBASTIANO Tod und Teufel! Wer hat ihm gesagt? TOMMASO Ich sagt ihm alles. Ja, ich selbst. SEBASTIANO Schwachsinniger Alter! (Tommaso ab) MARTA (gesprochen) Heilige Jungfrau, steh mir bei! SEBASTIANO Nun hab ich nichts als dich mehr auf der Welt Die Braut ist verloren, verloren bin ich selbst! Dich aber laß ich nicht. MARTA Du kannst mich töten, doch mich halten nicht! SEBASTIANO Ei, mein Schätzchen, du bist wild. Ich will den Trotz dir schon vertreiben. Die Mühle hier ist mein, und du bist mein! Versuchs, mir zu entrinnen! MARTA Bei welcher Macht des Himmels soll ich flehen um meine Freiheit? SEBASTIANO Der Himmel, der bleibt taub. Schrei nur zu Gott und seinen Heiligen. Ich trotze ihnen. Hier diese Mühle ist mein letzter Port. Hier will ich bleiben , vereint mit dir, mag draußen auch die Welt in Trümmer gehn! MARTA So kennst du keine Gnade? SEBASTIANO Liebe, ja, doch Gnade nicht! Ich kann nicht leben ohne dich! Ich kann nicht atmen ohne dich! MARTA Auch ich kenn eines nur die Liebe! Ich liebe Pedro! Hörst du mich?! SEBASTIANO Nenn diesen Namen nicht, verflucht sei er! MARTA Ich schreie ihn, so laut ich kann! Mein Pedro komm und hilf! SEBASTIANO Schweig, Marta, du machst mich rasend! MARTA Ich bin nicht mehr die schwache Marta von einst, das arme, hilflose Kind. Nicht mich verteidig ich. Ich kämpf um meine Liebe. Um Pedro kämpfe ich, ich kämpfe um mein Glück! Die Marta, die du kanntest, ist verschwunden. Hier steht ein Weib, bereit zum Tode um ihrer Liebe willen. SEBASTIANO Wie schön der Zorn dich kleidet! Ich will dich küssen! MARTA Laß mich! SEBASTIANO Komm! MARTA Zurück! Pedro! SEBASTIANO Ein Wille gilt s, der meine! Ich zwinge dich zu Boden! MARTA Gibt s keine Rettung? Pedro! Mein Pedro, kommst du nicht? SEBASTIANO Nein, keine Rettung! Mein bist du, mein! Mit meinen Küssen schliess ich dir den Mund. Du rufst vergebens! Nun soll er kommen und dich mir entreißen! Neunte Szene (Pedro stürzt herein und wirft sich auf Sebastiano) PEDRO Da bin ich, und ich entreiss sie dir! MARTA Mein Pedro! SEBASTIANO Wo kommst du her? PEDRO Ich komme durch dieselbe Tür, durch die du heute Nacht als Herr und Dieb gekommen bist. Nun sind wir allein, Mann gegen Mann! SEBASTIANO Mach fort, rasch! PEDRO Ich soll fort? Ich? Ich bin nicht mehr der Tölpel, den du dir von Roccabruna holen wolltest. Ich bin dein Knecht nicht mehr, wir beide stehn jetzt gleich, Mann gegen Mann! SEBASTIANO Du wagst es? Warte nur! (Er will zum Tor) MARTA Pedro! PEDRO (stellt sich mit einem Sprung zwischen Sebastiano und das Tor) Entwischen willst du, feiger Hund? Nein, du entkommst mir nicht! Wir wollen beide hier zu Ende kommen. Hier steht mein Weib! Ich hab ein Recht auf sie! Du willst es mir bestreiten! Nimm sie dir! Doch du mußt sie erkämpfen! Dem Sieger soll sie angehören. Und Sieger ist, der jetzt am Leben bleibt! SEBASTIANO Ein Messer hast du? Ich hab keines. PEDRO Ich brauch es nicht. Die Waffe, dich zu töten, trag ich im Herzen. (Er wirft das Messer weg) Komm, jetzt sind wir gleich. MARTA Was machst du, Pedro? PEDRO Bleib wo du bist und lasse mich. (zu Sebastiano) Was zauderst du? Nun sind wir gleich! SEBASTIANO Nun hüte dich! (Er stürzt sich auf das Messer) MARTA Ah! PEDRO (hat Sebastianos Absicht durchschaut, macht einen Sprung und stellt einen Fuß auf das Messer) Verräter! Glaubst du, ich schlafe? Nun hol dir das Messer! SEBASTIANO Gottverfluchter! PEDRO Du dauerst mich. Hast wirklich Pech! Vorbei ist deine Zeit und alles geht zu Ende! Ich mach ein Ende! SEBASTIANO Auch ich kann ringen! PEDRO So versuch s und wehre dich! (Sie kämpfen) MARTA O Gott im Himmel, heilige Jungfrau, Mutter der Gnaden, steh mir bei! PEDRO (faßt ihn beim Hals) Wehre dich! SEBASTIANO Hilfe! Hilfe! PEDRO Ruf sie nur! Ruf sie nur, deine Hunde! SEBASTIANO (gesprochen) Du erwürgst mich! MARTA (gesprochen) Mutter der Gnaden! PEDRO Du kannst dich nicht mehr wehren! Dein Leben lösch ich aus wie eine Kerze, die der Wind verlöscht. (Er erwürgt ihn) Da schau, nun ist er tot! Zehnte Szene (Männer und Frauen, Pepa, Rosalia, Antonia, Nuri und Tommaso treten auf) PEDRO He, Burschen, her! Ihr Weiber, kommt! Kommt alle her! BAUERN Was gibt s? BÄUERINNEN Was gibt s? PEDRO Der Herr ruft euch! PEPA (gesprochen) Tot? ROSALIA (gesprochen) O großer Gott! TOMMASO Des Himmels Strafe hat ihn gefällt! Gott sei dem Sünder gnädig! PEDRO Und nun, ihr Leute, lacht doch, lacht! Nun ist es Zeit zum Lachen! Du aber, Marta, komm! Wir wollen gehn. MARTA Ja, fort von hier! PEDRO Hinauf in meine Berge, hinauf zu Licht und Freiheit! Fort aus dem Tiefland! Macht Platz, ihr alle, gebt uns Raum! Ich hab den Wolf erwürgt, den Wolf, den Wolf hab ich getötet! (Er hebt Marta in seine Arme und trägt sie fort. Die Bauern und Bäuerinnen machen dem davoneilenden Paar Platz. Man sieht beide über das Gebirge ziehen) Albert,Eugen d /Tiefland
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Gmelin Handbook of Inorganic and Organometallic Chemistry Springer-Verlag Berlin and Heidelberg GmbH & Co. K? Springer-VerlagBerlinandHeidelbergGmbH&Co.K? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Reference? Subjects-Science-Chemistry-Crystallography? Subjects-Science-Chemistry-Organic-OrganometallicCompounds Gmelin Handbook of Inorganic and Organometallic Chemistry Springer-Verlag Berlin and Heidelberg GmbH & Co. K? Wolfgang Huisl? Wolfgang Kurtz? Frank Stein? Springer-VerlagBerlinandHeidelbergGmbH&Co.K? WolfgangHuisl? WolfgangKurtz? FrankStein? Substores-UnknownASINs-47? Subjects-Science-Chemistry-Crystallography? Subjects-Science-Chemistry-Organic-OrganometallicCompounds Gmelin Handbook of Inorganic and Organometallic Chemistry Springer-Verlag Berlin and Heidelberg GmbH & Co. K? 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Lighting Techniques for Video Production The Art of Casting Shadows Focal Pr? Tom Letourneau? FocalPr? TomLetourneau? ジャンル別? Subjects-Arts&Photography-Photography-General? Subjects-Arts&Photography-Photography-PhotoEssays? Subjects-Arts&Photography-PerformingArts-Theater-Stagecraft? Subjects-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Engineering-Electrical&Electronics-Lighting? Subjects-Engineering-General? Subjects-Engineering-PowerSystems? Subjects-Entertainment-Movies-Reference? Subjects-Entertainment-Movies-Video-Direction&Production? Subjects-Entertainment-Movies-Video-General? Subjects-Entertainment-PerformingArts-Theater-Stagecraft? Subjects-Professional&Technical-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Lighting? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-PowerSystems? 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